Collection
Paul Gauguin
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Van Gogh Painting Sunflowers - Paul Gauguin
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The Vision After the Sermon (Jacob Wrestling with the Angel) - Paul Gauguin
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Les Alyscamps - Paul Gauguin
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Paradise Lost - Paul Gauguin
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Night Café at Arles - Paul Gauguin
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I Raro Te Oviri (Under the Pandanus) - Paul Gauguin
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Portrait of Achille Granchi-Taylor - Paul Gauguin
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Three Tahitian Women - Paul Gauguin
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The Moon and the Earth (Hina tefatou) - Paul Gauguin
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The Yellow Christ - Paul Gauguin
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Still Life with Teapot and Fruit - Paul Gauguin
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Portrait of a Man - Paul Gauguin
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Vision of the Sermon (Jacob Wrestling with the Angel) - Paul Gauguin
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Whispered Words (Parau Parau) - Paul Gauguin
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Noa Noa (Voyage de Tahiti) - Paul Gauguin
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The Invocation - Paul Gauguin
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Self-Portrait Dedicated to Carrière - Paul Gauguin
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Portrait of the Artist's Mother, Eve - Paul Gauguin
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Tahitian Women on the Beach - Paul Gauguin
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The Painter of Sunflowers: Portrait of Vincent van Gogh - Paul Gauguin
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Two Tahitian Women in a Landscape - Paul Gauguin
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By the Sea (Fatata te Miti) - Paul Gauguin
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Haere Pape (Water is Sacred) - Paul Gauguin
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Study for 'Nafea faa ipoipo (When Will You Marry?)' - Paul Gauguin
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Artist Biography
Paul Gauguin
Eugène Henri Paul Gauguin (1848-1903) was a leading French Post-Impressionist artist whose bold experiments in colour and form synthesised a new, modern style. Though born in Paris, Gauguin spent his early childhood in Peru, an experience that instilled in him a lifelong wanderlust and a fascination with the exotic. He began his career as a stockbroker, only turning to art in his late twenties after being inspired by the Impressionists.
Gauguin soon rejected the Impressionist focus on objective representation, seeking instead to express subjective emotions and spiritual ideas through his art. This led him to develop a distinctive style characterised by flattened forms, simplified lines, and vibrant, non-naturalistic colours. Key works such as *Vision after the Sermon* (1888) exemplify this approach, showcasing his move towards Symbolism and Cloisonnism.
Frustrated with European society, Gauguin sought refuge in French Polynesia, where he created some of his most iconic paintings, including *Where Do We Come From? What Are We? Where Are We Going?* (1897-98). These works depict the beauty and mystery of Tahitian life, albeit through a lens that has since been critiqued for its romanticised and colonial gaze. Despite his controversial legacy, Paul Gauguin's innovative use of colour and his exploration of primal themes profoundly influenced the development of modern art.
Gauguin soon rejected the Impressionist focus on objective representation, seeking instead to express subjective emotions and spiritual ideas through his art. This led him to develop a distinctive style characterised by flattened forms, simplified lines, and vibrant, non-naturalistic colours. Key works such as *Vision after the Sermon* (1888) exemplify this approach, showcasing his move towards Symbolism and Cloisonnism.
Frustrated with European society, Gauguin sought refuge in French Polynesia, where he created some of his most iconic paintings, including *Where Do We Come From? What Are We? Where Are We Going?* (1897-98). These works depict the beauty and mystery of Tahitian life, albeit through a lens that has since been critiqued for its romanticised and colonial gaze. Despite his controversial legacy, Paul Gauguin's innovative use of colour and his exploration of primal themes profoundly influenced the development of modern art.
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