The Table (Still Life with Rabbit) - Joan Miró
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Beskrivning
A 1920 oil painting by Joan Miró, featuring a meticulously arranged still life on a table, rendered with Cubist-inspired geometric precision.
Painted in 1920, The Table (Still Life with Rabbit) represents a period in the career of Joan Miró when his work was heavily influenced by the structured approach of Cubism. This canvas displays a meticulous attention to detail, contrasting with the more abstract, dreamlike imagery that would define his later output. The composition is organised around a central table, which is rendered with a geometric, almost architectural precision.
Upon the surface of the table, Miró arranges a collection of objects: a ceramic vessel, a rooster, a rabbit, a fish on a plate, and various vegetables. Each element is depicted with a high degree of clarity, yet the spatial relationships between them are flattened, creating a sense of decorative order rather than traditional perspective. The table itself features a repeating triangular pattern, which anchors the composition and provides a rhythmic quality to the lower half of the painting.
The colour palette is dominated by warm, golden yellows and ochres, which lend the scene a sun-drenched, Mediterranean quality. The lighting is even, avoiding deep shadows in favour of a clear, analytical illumination that allows the viewer to examine each object individually. The inclusion of the lace-like cloth beneath the fish adds a textural contrast to the harder surfaces of the table and the ceramic ware. This work provides a window into the early development of Miró, showing his ability to balance representational accuracy with a burgeoning interest in the symbolic potential of everyday objects. It is a study of form and arrangement, capturing a quiet, domestic scene through a lens that is both rigorous and imaginative.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Table (Still Life with Rabbit) - Joan Miró
Artist Biography
Joan Miro
He grew up in Barcelona, the son of a goldsmith and watchmaker. He studied at the Escola de Belles Arts and at Francesc Gali's art school, where Gali made students draw objects by touch, blindfolded, to develop their sense of form. Miro went to Paris in 1920 and fell in with the Surrealists. Andre Breton called him 'the most Surrealist of us all', which was a compliment. Miro's paintings from this period look like dreams transcribed by someone who has never seen a dream depicted before: biomorphic shapes, stars, eyes, birds, and moons floating on flat fields of colour.
The Constellations series, twenty-three small gouaches painted during the Second World War, are his masterwork. He started them in Normandy as the German army advanced, continued in Palma de Mallorca after fleeing, and finished them in Barcelona. Each one is dense with interlocking forms connected by fine black lines, like a musical score or a star chart.
His late work includes monumental ceramics, tapestries, and public sculptures. The Barcelona airport has a floor mosaic. The Joan Miro Foundation on Montjuic, designed by his friend Josep Lluis Sert, opened in 1975. He burned canvases, stabbed them, walked on them. He was eighty-five and still trying to murder painting.
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