The Suicide of Dorothy Hale - Frida Kahlo
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Beskrivning
A narrative retablo-style painting by Frida Kahlo depicting the tragic death of actress Dorothy Hale in three sequential stages.
Commissioned by Clare Boothe Luce, a friend of the late actress Dorothy Hale, this work functions as a retablo, a traditional Mexican devotional painting. Hale died by suicide in 1938, jumping from the Hampshire House in New York City. Kahlo depicts the event in a sequential, narrative format that defies conventional perspective.
The composition is divided into three distinct stages of the fall. At the top, the figure is seen leaping from the building. In the centre, she is suspended in the air amidst clouds. At the bottom, she lies motionless on the ground. The painting is framed by a painted wooden border, which includes a Spanish inscription detailing the date, time, and location of the tragedy. The blood at the base of the figure spills over the bottom edge of the painted frame, blurring the boundary between the depicted scene and the physical object.
Kahlo employs a flat, almost folk-art aesthetic to present a subject of extreme gravity. The sky is filled with swirling, grey clouds that obscure the architecture of the building, creating a dreamlike atmosphere. The figure of Hale is rendered with a sense of detachment, wearing a black dress and a corsage of yellow flowers. The work remains one of the most controversial pieces in Kahlo's catalogue, as the patron was reportedly horrified by the graphic nature of the final image, which Kahlo had intended to be a memorial. The painting provides a stark example of how Kahlo utilised the visual language of religious votive art to document contemporary trauma and personal history.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Suicide of Dorothy Hale - Frida Kahlo
Artist Biography
Frida Kahlo
She had already been ill. Polio at six left her right leg thinner than her left, a disproportion she hid with long skirts. The bus accident compounded everything. She would have thirty-five operations over her lifetime. Pain was the background condition of her work, though reducing her paintings to autobiography misses what she actually did with the medium.
She married Diego Rivera in 1929. He was twenty years older, already Mexico's most famous muralist, and physically twice her size. Her parents called the marriage a union between an elephant and a dove. They divorced in 1939, remarried in 1940, and continued a relationship that was mutually unfaithful, politically intense, and artistically competitive. Rivera said she was the better painter. He may have been right.
Her paintings are small. Most are self-portraits. They use the visual language of Mexican folk art, ex-votos, and Aztec mythology, combined with a physical directness that makes Surrealism look polite. Andre Breton called her a Surrealist. She disagreed: 'I paint my own reality.' She was right about that too.
She died in 1954 at forty-seven. Her diary entry for the last day reads 'I hope the leaving is joyful and I hope never to return.'
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