Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Linjens läge - Sol LeWitt
Ordinarie pris
£37.00 GBP
Reapris
£37.00 GBP
Ordinarie pris
Arkivbeständigt giclée-tryck
Ramar levereras klara att hängas upp
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Tillverkad på beställning
Beskrivning
Sol LeWitts "The Location of a Line" är en geometrisk abstraktion som exemplifierar hans konceptuella förhållningssätt till konstskapande. Verket innehåller korsande linjer och textinstruktioner, vilket belyser förhållandet mellan koncept och visuell form.
Sol LeWitt (1928-2007) var en amerikansk konstnär kopplad till olika rörelser, inklusive konceptkonst och minimalism. Han är känd för sitt systematiska förhållningssätt till konstskapande, där han ofta använde enkla geometriska former och förutbestämda regler för att skapa komplexa kompositioner. LeWitts arbete utmanar traditionella föreställningar om upphovsrätt och konstnärliga uttryck, och betonar idén eller konceptet bakom konstverket snarare än dess fysiska utförande. Hans praktik sträckte sig till skulptur, teckning och grafik. "The Location of a Line" exemplifierar LeWitts konceptuella förhållningssätt. Verket består av en kvadrat uppdelad av korsande linjer, med textinstruktioner överlagrade. Dessa instruktioner beskriver de exakta relationerna mellan punkter och linjer inom kompositionen. Linjerna är tunna och precisa, vilket skapar ett nätverk av geometriska relationer. Den övergripande effekten är en ordnad komplexitet, där den visuella formen dikteras av en uppsättning logiska regler. Verket inbjuder betraktaren att överväga förhållandet mellan koncept, process och visuellt resultat.
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Frakt
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Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Komplettera looken
Linjens läge - Sol LeWitt
Ordinarie pris
Från £37.00 GBP
Reapris
Från £37.00 GBP
Ordinarie pris
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Sol Lewitt
LeWitt wrote a letter to the sculptor Eva Hesse in 1965 when she was paralysed by self-doubt. He told her to try to do some bad work. The worst you can think of and see what happens but mainly relax and let everything go to hell. Two days after Hesse's death in 1970, he created Wall Drawing 46 in her memory, using non-straight lines for the first time. The aesthetic shift was credited to her influence.
He was born in Hartford, Connecticut, in 1928, to Russian Jewish immigrant parents. His father died when he was six. He drew on wrapping paper from his aunt's shop and took art classes at the Wadsworth Atheneum. He served in the Korean War, then settled in New York.
From 1968, he created over a thousand numbered wall drawings. He conceived them as musical scores that anyone could execute: a set of written instructions, carried out by other people, with the physical drawing destroyed after each exhibition. The idea, he argued, was the machine that makes the art. The execution was secondary. He championed and financially supported women artists who were being sidelined by the male-dominated art world. He refused to participate in celebrity culture and remained deliberately private. He died in 2007.
He was born in Hartford, Connecticut, in 1928, to Russian Jewish immigrant parents. His father died when he was six. He drew on wrapping paper from his aunt's shop and took art classes at the Wadsworth Atheneum. He served in the Korean War, then settled in New York.
From 1968, he created over a thousand numbered wall drawings. He conceived them as musical scores that anyone could execute: a set of written instructions, carried out by other people, with the physical drawing destroyed after each exhibition. The idea, he argued, was the machine that makes the art. The execution was secondary. He championed and financially supported women artists who were being sidelined by the male-dominated art world. He refused to participate in celebrity culture and remained deliberately private. He died in 2007.
Våra funktioner
Utformad för varaktig inverkan
Specifika funktioner
Varje Solis-konstverk tillverkas på beställning med arkivbeständiga material av gallerikvalitet som är byggda för att hålla.
- Giclée-tryck i museikvalitet för fylliga, blekningsbeständiga färger
- Arkivbeständigt matt konstpapper, FSC-certifierat
- Flera storlekar och inramningsalternativ tillgängliga
- Ramar i svart, naturträ, mörkt trä eller vitt
- Inramade tryck levereras klara att hänga upp
Skötsel & rengöring
För att bevara ditt konstverk i bästa skick:
- Damma försiktigt med en mjuk, torr trasa
- Undvik långvarigt direkt solljus
- Använd aldrig flytande rengöringsmedel på trycket eller dukytan
- Förvara på en torr plats i rumstemperatur
- Hantera tryck med rena, torra händer
Material och storlek
Gicléeutskrift av museikvalitet på FSC-certifierat matt arkivpapper, med inramade alternativ och alternativ på canvas.
- Pappersstorlekar: A4, A3, A2, A1, A0 och B2 (50×70 cm)
- Canvas: XS (20×30 cm) till Large (60×90 cm)
- Ramar: svart, naturligt trä, mörkt trä eller vit
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Material av museikvalitet
Artistbiografi
Sol LeWitt
LeWitt wrote a letter to the sculptor Eva Hesse in 1965 when she was paralysed by self-doubt. He told her to try to do some bad work. The worst you can think of and see what happens but mainly relax and let everything go to hell. Two days after Hesse's death in 1970, he created Wall Drawing 46 in her memory, using non-straight lines for the first time. The aesthetic shift was credited to her influence.
He was born in Hartford, Connecticut, in 1928, to Russian Jewish immigrant parents. His father died when he was six. He drew on wrapping paper from his aunt's shop and took art classes at the Wadsworth Atheneum. He served in the Korean War, then settled in New York.
From 1968, he created over a thousand numbered wall drawings. He conceived them as musical scores that anyone could execute: a set of written instructions, carried out by other people, with the physical drawing destroyed after each exhibition. The idea, he argued, was the machine that makes the art. The execution was secondary. He championed and financially supported women artists who were being sidelined by the male-dominated art world. He refused to participate in celebrity culture and remained deliberately private. He died in 2007.
He was born in Hartford, Connecticut, in 1928, to Russian Jewish immigrant parents. His father died when he was six. He drew on wrapping paper from his aunt's shop and took art classes at the Wadsworth Atheneum. He served in the Korean War, then settled in New York.
From 1968, he created over a thousand numbered wall drawings. He conceived them as musical scores that anyone could execute: a set of written instructions, carried out by other people, with the physical drawing destroyed after each exhibition. The idea, he argued, was the machine that makes the art. The execution was secondary. He championed and financially supported women artists who were being sidelined by the male-dominated art world. He refused to participate in celebrity culture and remained deliberately private. He died in 2007.
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