Queen Beatrix of the Netherlands - Andy Warhol
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A screenprint portrait of Queen Beatrix of the Netherlands by Andy Warhol, part of his 1985 Reigning Queens series.
This portrait of Queen Beatrix of the Netherlands is part of the Reigning Queens series, produced by Andy Warhol in 1985. The series features four female monarchs: Queen Elizabeth II of the United Kingdom, Queen Margrethe II of Denmark, Queen Ntombi Twala of Swaziland, and Queen Beatrix of the Netherlands. Warhol based these images on official photographs, which he then manipulated through his signature screenprinting process.
In this work, Warhol employs a flattened aesthetic, removing the depth of the original photographic source. He uses high-contrast areas of colour to define the facial features and the structure of the hair. The application of ink is deliberate, with the registration of the colour layers intentionally offset to create a graphic, industrial appearance. This technique removes the hand of the artist, aligning with Warhol's interest in mass production and the commodification of celebrity figures.
The choice of subject matter reflects Warhol's fascination with the intersection of fame and power. By treating a reigning monarch with the same visual language he applied to film stars or consumer goods, he comments on the nature of public image. The portrait does not aim for psychological depth, but rather presents the Queen as a recognisable icon. The colour palette is restrained, focusing on cool greys and soft pinks, which contrasts with the more experimental colour combinations found in other prints within the same series.
Warhol produced these prints in various colourways, allowing for a diverse range of interpretations of the same source image. This specific print captures the formal attire of the Queen, including her tiara and sash, rendered through simplified lines and blocks of colour. The work remains a clear example of his late-career output, where he continued to explore the repetition of imagery and the transformation of historical figures into contemporary cultural symbols.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Queen Beatrix of the Netherlands - Andy Warhol
Artist Biography
Andy Warhol
He moved to New York after graduating from Carnegie Tech in 1949 and spent the 1950s as a commercial illustrator. He was successful at it: shoe drawings for I. Miller, album covers, magazine illustrations. The work was loose, charming, and camp. He won awards. But commercial art was not taken seriously, and Warhol wanted to be taken seriously.
The Campbell's Soup Cans came in 1962. Thirty-two canvases, one for each flavour. Then Marilyn, then Elvis, then the car crashes and electric chairs. The technique was silk-screen printing: photographic images transferred to canvas through a mesh screen and printed in flat, commercial colours. The process removed the artist's hand almost entirely, which was the point. Warhol made art that looked like it had been manufactured, in a culture that manufactured everything.
The Factory, his silver-foiled studio on East 47th Street, became the centre of a scene that included musicians, actors, drag queens, socialites, and addicts, sometimes all at once. He made films. He started Interview magazine. He managed the Velvet Underground. He was shot by Valerie Solanas in 1968 and nearly died; he wore a surgical corset for the rest of his life.
His late work, often dismissed, includes the Oxidation Paintings (made with urine on metallic paint), the Shadow series, and the Last Supper paintings. He died in 1987 after gallbladder surgery, at fifty-eight. His estate was valued at around 600 million dollars.
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