Portrait of Émile Bernard at Florence - Paul Sérusier
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Beskrivning
A portrait of fellow artist Émile Bernard by Paul Sérusier, featuring the bold colours and flattened perspective characteristic of the Nabis movement.
This portrait depicts the painter Émile Bernard, a contemporary and associate of Paul Sérusier within the Nabis circle. The composition reflects the group's interest in Synthetism, a style characterised by flat planes of colour, bold outlines, and a departure from traditional naturalistic representation. Sérusier prioritises decorative harmony over anatomical precision, using simplified forms to construct the figure of Bernard against a backdrop of the Florentine cityscape.
The background features the Ponte Vecchio, rendered with a deliberate lack of depth that brings the architectural elements into the same visual plane as the sitter. The palette is dominated by strong, non-naturalistic tones, including a deep blue for the water and a warm, golden yellow for the buildings. This choice of colour is typical of the Nabis, who sought to express subjective experience rather than objective reality. Bernard is shown in a contemplative state, holding a book, which suggests an intellectual engagement with his surroundings. The brushwork is controlled and deliberate, reinforcing the flat, graphic quality of the image.
Sérusier was a central figure in the Nabis movement, which emerged in the late 1880s and drew inspiration from Paul Gauguin. This work demonstrates the influence of Japanese woodblock prints on the group, particularly in the use of cropped perspectives and the emphasis on two-dimensional patterns. By flattening the space, Sérusier forces the viewer to engage with the painting as a constructed object rather than a window into a scene. The portrait serves as a record of the artistic exchange between Sérusier and Bernard during their travels in Italy, capturing the intellectual atmosphere of their collaboration. The work remains a clear example of the shift towards abstraction that defined the late nineteenth-century French avant-garde.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Portrait of Émile Bernard at Florence - Paul Sérusier
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