Liberty Inviting Artists to Take Part in the 22nd Exhibition of the Society of Independent Artists - Henri Rousseau
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Beskrivning
A characteristic work by Henri Rousseau, depicting an allegorical scene of Liberty overlooking the 22nd Exhibition of the Society of Independent Artists.
Henri Rousseau, a self-taught painter often associated with the Naïve movement, produced this work in 1906. The composition depicts a winged figure of Liberty floating above a formalised park setting. Below, a row of trees creates a horizontal barrier, behind which a series of international flags are displayed. In the foreground, a lion rests near a scroll, surrounded by figures holding framed canvases, referencing the Society of Independent Artists exhibition.
Rousseau employs a flattened perspective and precise, almost rigid, application of paint. The sky occupies a large portion of the upper canvas, providing a neutral backdrop for the central figure. The trees are rendered with a repetitive, stylised quality, typical of the artist's approach to natural forms. The inclusion of the lion and the specific arrangement of the flags introduce a sense of ceremony and symbolic order to the scene.
This painting reflects the artist's unique vision, which often combined mundane observations with imaginative or allegorical elements. Rousseau worked as a customs officer for much of his life, a profession that earned him the nickname Le Douanier. His lack of formal academic training allowed him to develop a distinct visual language, characterised by clear outlines and a lack of traditional atmospheric perspective. The work captures the spirit of the early twentieth-century Parisian art scene, where independent exhibitions provided a platform for artists outside the official Salon system. The careful placement of the figures and the symmetrical composition suggest a deliberate, almost theatrical, staging of the event. Through this piece, Rousseau documents the atmosphere of the exhibition while infusing the scene with his characteristic sense of wonder and formal simplicity.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Liberty Inviting Artists to Take Part in the 22nd Exhibition of the Society of Independent Artists - Henri Rousseau
Artist Biography
Henri Rousseau
Nicknamed Le Douanier (“the Customs Officer”) due to his job on the outskirts of Paris, Rousseau only began painting seriously at age 40 and retired nine years later to pursue art full time. Though he never left France, his exotic landscapes—lush with oversized foliage and wild animals—were inspired by visits to botanical gardens, illustrated books, and stories from soldiers who had served abroad.
Rousseau believed himself to be a great realist, proudly comparing himself to Picasso. He also pioneered the "portrait landscape" genre, blending figures into rich natural backdrops. Once mocked, Rousseau is now celebrated as a visionary outsider whose work continues to inspire, including references in modern pop culture such as the film Madagascar.
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