Kiku - Andy Warhol
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Beskrivning
A 1983 screenprint by Andy Warhol, Kiku features the Japanese chrysanthemum rendered in bold, graphic colours and simplified forms.
Produced in 1983, Kiku is a screenprint by Andy Warhol that draws upon the traditional Japanese chrysanthemum. The title itself, Kiku, is the Japanese word for this flower, which holds cultural weight as a symbol of the Imperial family and the autumn season. Warhol, known for his interest in mass production and the repetition of imagery, approaches this subject with his characteristic focus on colour contrast and graphic simplification.
The composition is divided into distinct zones of colour, separating the floral forms from their backgrounds. Warhol employs a technique where the line work is offset from the blocks of colour, creating a sense of movement and visual tension. The petals are rendered with bold, simplified outlines, while the background is split into two contrasting fields. This method removes the subject from a naturalistic context, placing it instead within the realm of graphic design and commercial print aesthetics.
Warhol utilised the screenprinting process to explore how a single image could be altered through varying colour combinations. By applying layers of ink, he achieved flat, saturated areas that define the form of the chrysanthemum. The work avoids the traditional shading found in botanical illustration, opting instead for a stark, modern interpretation. The result is a study of form and colour that reflects the artist's interest in the intersection of fine art and commercial production. This print remains an example of his later career, where he turned his attention to more decorative subjects while maintaining his signature technical approach to printmaking.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Kiku - Andy Warhol
Artist Biography
Andy Warhol
He moved to New York after graduating from Carnegie Tech in 1949 and spent the 1950s as a commercial illustrator. He was successful at it: shoe drawings for I. Miller, album covers, magazine illustrations. The work was loose, charming, and camp. He won awards. But commercial art was not taken seriously, and Warhol wanted to be taken seriously.
The Campbell's Soup Cans came in 1962. Thirty-two canvases, one for each flavour. Then Marilyn, then Elvis, then the car crashes and electric chairs. The technique was silk-screen printing: photographic images transferred to canvas through a mesh screen and printed in flat, commercial colours. The process removed the artist's hand almost entirely, which was the point. Warhol made art that looked like it had been manufactured, in a culture that manufactured everything.
The Factory, his silver-foiled studio on East 47th Street, became the centre of a scene that included musicians, actors, drag queens, socialites, and addicts, sometimes all at once. He made films. He started Interview magazine. He managed the Velvet Underground. He was shot by Valerie Solanas in 1968 and nearly died; he wore a surgical corset for the rest of his life.
His late work, often dismissed, includes the Oxidation Paintings (made with urine on metallic paint), the Shadow series, and the Last Supper paintings. He died in 1987 after gallbladder surgery, at fifty-eight. His estate was valued at around 600 million dollars.
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