Ingrid Bergman (as Herself) - Andy Warhol
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A striking screenprint portrait of Ingrid Bergman by Andy Warhol, featuring his signature use of bold, non-naturalistic colours and graphic composition.
This portrait of the Swedish actress Ingrid Bergman is part of a series produced by Andy Warhol in 1983. The work draws upon the visual language of celebrity culture, a recurring theme in Warhol's practice. By utilising the screenprinting process, Warhol removes the hand of the artist, creating an image that mimics the mass-produced nature of media photography.
The composition features Bergman in profile, her hand resting near her chin. Warhol applies blocks of flat, non-naturalistic colour across the surface, which often shift slightly out of alignment with the underlying photographic lines. This technique creates a sense of mechanical reproduction, typical of his later career. The palette consists of contrasting tones, including yellow, teal, and magenta, which flatten the subject while simultaneously drawing attention to the graphic quality of the facial features.
Warhol's interest in Bergman stemmed from her status as a cinematic icon. By isolating her image and repeating it through various colour iterations, he transforms a familiar face into a graphic symbol. The work avoids traditional portraiture techniques, such as chiaroscuro or realistic skin tones, in favour of a synthetic aesthetic. This approach reflects the artist's fascination with the way public figures are packaged and consumed by the media. The print captures the intersection of fine art and commercial design, a hallmark of the Pop Art movement. It remains a clear example of how Warhol manipulated photographic source material to comment on the nature of fame and the construction of identity in the twentieth century.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Ingrid Bergman (as Herself) - Andy Warhol
Artist Biography
Andy Warhol
He moved to New York after graduating from Carnegie Tech in 1949 and spent the 1950s as a commercial illustrator. He was successful at it: shoe drawings for I. Miller, album covers, magazine illustrations. The work was loose, charming, and camp. He won awards. But commercial art was not taken seriously, and Warhol wanted to be taken seriously.
The Campbell's Soup Cans came in 1962. Thirty-two canvases, one for each flavour. Then Marilyn, then Elvis, then the car crashes and electric chairs. The technique was silk-screen printing: photographic images transferred to canvas through a mesh screen and printed in flat, commercial colours. The process removed the artist's hand almost entirely, which was the point. Warhol made art that looked like it had been manufactured, in a culture that manufactured everything.
The Factory, his silver-foiled studio on East 47th Street, became the centre of a scene that included musicians, actors, drag queens, socialites, and addicts, sometimes all at once. He made films. He started Interview magazine. He managed the Velvet Underground. He was shot by Valerie Solanas in 1968 and nearly died; he wore a surgical corset for the rest of his life.
His late work, often dismissed, includes the Oxidation Paintings (made with urine on metallic paint), the Shadow series, and the Last Supper paintings. He died in 1987 after gallbladder surgery, at fifty-eight. His estate was valued at around 600 million dollars.
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