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Fourberies de Femmes: En matière de sentiment - Paul Gavarni

Ordinarie pris  £28.00 GBP
Reapris  £28.00 GBP Ordinarie pris 

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Product: Fine Art Poster
Size: A4 (21x29.7 cm)
Frame: -
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Beskrivning

A satirical lithograph from Paul Gavarni's Fourberies de Femmes series, capturing a nuanced social interaction in nineteenth-century Paris.

This lithograph belongs to the series Fourberies de Femmes, a collection of satirical prints by the French artist Paul Gavarni. Published during the mid-nineteenth century, these works examine the social dynamics and perceived deceptions within Parisian life. Gavarni, a contemporary of Honoré Daumier, utilised the medium of lithography to document the manners and fashions of his era with sharp observation.

The composition depicts a domestic scene involving a woman and a gentleman. The woman stands in a long, flowing dress, her posture suggesting a moment of quiet conversation or perhaps a subtle manipulation of the truth, which aligns with the series title. The gentleman, dressed in a formal frock coat and top hat, holds a walking stick, his stance reflecting the rigid social codes of the period. Gavarni employs fine, precise lines to define the figures and their clothing, while the shading provides a sense of volume and depth to the interior setting.

Beyond the visual narrative, the print includes the characteristic caption found in Gavarni's work, which adds a layer of irony to the interaction. The text below the image provides context for the characters' dialogue, typical of the satirical press of the time. This print offers a glimpse into the social theatre of nineteenth-century France, where the interplay between gender roles and public appearance was a frequent subject for artists and writers alike. The work is a fine example of the technical skill required for lithographic production in the nineteenth century, demonstrating how artists could translate quick sketches into widely distributed prints for a growing audience of urban readers.

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Specific Features

Every Solis piece is made to order with archival, gallery-quality materials built to last.

  • Museum-grade giclée printing for rich, fade-resistant colour
  • Archival matte fine-art paper, FSC-certified
  • Multiple sizes and framing options available
  • Frames in black, natural wood, dark wood or white
  • Framed prints arrive ready to hang

Care & Cleaning

To keep your artwork looking its best:

  • Dust gently with a soft, dry cloth
  • Avoid prolonged direct sunlight
  • Never use liquid cleaners on the print or canvas surface
  • Keep in a dry, room-temperature space
  • Handle prints with clean, dry hands

Materials & Sizing

Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.

  • Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
  • Canvas: XS (20×30 cm) to Large (60×90 cm)
  • Frames: black, natural wood, dark wood or white
Komplettera looken
Fourberies de Femmes: En matière de sentiment - Paul Gavarni - Poster

Fourberies de Femmes: En matière de sentiment - Paul Gavarni

Ordinarie pris  Från £28.00 GBP
Reapris  Från £28.00 GBP Ordinarie pris 
Fine Art Poster / A4 (21x29.7 cm) / -
Paul Gavarni

Artist Biography

Paul Gavarni

Gavarni was imprisoned for debt in 1835 after his magazine, the Journal of High Society, failed after eighteen issues. He served nearly a year. The experience did not prevent him from becoming the most stylish caricaturist in Paris, but it may explain the darkness that crept into his later work.

His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.

After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.

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Fine Art Poster corner detail

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A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.

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The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.

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Eftersom varje tryck görs på beställning erbjuder vi inte returer, återbetalningar eller byten på grund av ändrade åsikter. Om din beställning kommer fram felaktig, skadad eller fel, ersätter vi den kostnadsfritt – kontakta oss bara inom 48 timmar efter leverans. Se vår återbetalningssida för fullständig information.

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  • Affisch & Inramad: A4, A3, A2, A1, A0 och B2 (50×70 cm)
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