Early Sunday Morning - Edward Hopper
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A quiet, atmospheric depiction of a New York City street at dawn, captured in 1930 by American realist Edward Hopper.
Edward Hopper painted Early Sunday Morning in 1930. The work depicts a row of small shops on Seventh Avenue in New York City. The composition is horizontal, presenting a flat, stage-like view of the storefronts. The upper level consists of a series of identical windows, while the ground floor features shop entrances and a barber pole.
Hopper uses light to define the space. Long, sharp shadows stretch across the pavement, suggesting the early hour of the day. The colour palette is dominated by deep reds, muted greens, and warm yellows from the window shades. The absence of people creates a sense of stillness. The architecture is simple, reflecting the utilitarian nature of the urban environment during the period.
Hopper often focused on the isolation of modern city life. This painting captures a quiet moment before the activity of the day begins. The geometric arrangement of the buildings provides a sense of order, yet the lack of human presence introduces a feeling of detachment. The work is part of the collection at the Whitney Museum of American Art. It remains a clear example of Hopper's ability to transform mundane urban scenes into studies of light and atmosphere.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Early Sunday Morning - Edward Hopper
Artist Biography
Edward Hopper
He grew up in Nyack, a small town on the Hudson River, studied illustration, then moved to Robert Henri's painting class at the New York School of Art. Henri was the central figure of the Ashcan School, which painted American life without prettifying it. Hopper absorbed the directness but not the social energy. His paintings got quieter, more still, more concerned with what people look like when they think nobody is watching.
He went to Paris three times between 1906 and 1910 and came back with Degas and Manet in his head: cropped compositions, angled light, figures caught mid-thought. Then he spent a decade failing commercially, working as an illustrator to pay the bills, and painting watercolours that nobody bought. Success came late. His first solo show was at forty-one.
In 1924 he married Josephine Nivison, a painter who had also studied under Henri. She modelled for nearly every female figure in his paintings, managed his career, and kept detailed records of every work he produced. The marriage was difficult. Both of them had sharp tempers. She engineered his public image as a recluse, which he was, mostly.
Nighthawks, the diner painting, was made in 1942. Jo named it. Hopper admitted he was probably painting the loneliness of a large city, though he was reluctant to say so directly. The diner has no visible door. People have pointed this out for eighty years and nobody has determined whether it was intentional.
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