Campbell's Soup Can (Onion) - Andy Warhol
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A classic Pop Art screenprint by Andy Warhol, featuring the iconic Campbell's Onion Soup can design.
Andy Warhol produced his series of Campbell's Soup Can prints during the 1960s, a period when he examined the intersection of consumer culture and fine art. By selecting a mass-produced grocery item as his subject, Warhol removed the artist's hand from the creative process, favouring mechanical reproduction techniques over traditional painting methods. This specific work depicts the Onion flavour, rendered with the iconic red and white colour scheme that defined the brand's packaging.
The composition is straightforward, presenting the can in a frontal view that mimics the appearance of a supermarket shelf. Warhol utilised the screenprinting process to achieve flat, uniform areas of colour and sharp outlines. This approach reflects his interest in the repetition of imagery, a theme he explored across his broader body of work. The inclusion of the gold seal and the specific typography of the Campbell's logo serves to ground the image in the reality of mid-century American consumerism.
Warhol's choice of subject matter challenged the prevailing artistic norms of the time, which often prioritised individual expression and gestural brushwork. Instead, he embraced the aesthetic of advertising and commercial design. The print functions as a record of a specific cultural moment, documenting the ubiquity of processed food in the post-war era. By elevating a mundane object to the status of a gallery piece, Warhol invited viewers to reconsider the visual environment of their daily lives. This print is a characteristic example of his technical approach, demonstrating his ability to transform everyday items into objects of visual interest through precise colour application and graphic clarity.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Campbell's Soup Can (Onion) - Andy Warhol
Artist Biography
Andy Warhol
He moved to New York after graduating from Carnegie Tech in 1949 and spent the 1950s as a commercial illustrator. He was successful at it: shoe drawings for I. Miller, album covers, magazine illustrations. The work was loose, charming, and camp. He won awards. But commercial art was not taken seriously, and Warhol wanted to be taken seriously.
The Campbell's Soup Cans came in 1962. Thirty-two canvases, one for each flavour. Then Marilyn, then Elvis, then the car crashes and electric chairs. The technique was silk-screen printing: photographic images transferred to canvas through a mesh screen and printed in flat, commercial colours. The process removed the artist's hand almost entirely, which was the point. Warhol made art that looked like it had been manufactured, in a culture that manufactured everything.
The Factory, his silver-foiled studio on East 47th Street, became the centre of a scene that included musicians, actors, drag queens, socialites, and addicts, sometimes all at once. He made films. He started Interview magazine. He managed the Velvet Underground. He was shot by Valerie Solanas in 1968 and nearly died; he wore a surgical corset for the rest of his life.
His late work, often dismissed, includes the Oxidation Paintings (made with urine on metallic paint), the Shadow series, and the Last Supper paintings. He died in 1987 after gallbladder surgery, at fifty-eight. His estate was valued at around 600 million dollars.
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