Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Arashi Ryuzo II as the monk Tojibo - Utagawa Toyokuni I
Ordinarie pris
£28.00 GBP
Reapris
£28.00 GBP
Ordinarie pris
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Beskrivning
A classic Ukiyo-e woodblock print by Utagawa Toyokuni I, capturing the kabuki actor Arashi Ryuzo II in a dramatic stage pose.
This woodblock print by Utagawa Toyokuni I depicts the kabuki actor Arashi Ryuzo II in the role of the monk Tojibo. The work originates from the series Portraits of Actors on Stage (Yakusha butai no sugata-e), a collection that documented the theatrical culture of Edo-period Japan. Toyokuni I was a central figure in the Utagawa school, known for his ability to capture the specific mannerisms and facial expressions of popular performers.
The composition focuses on the actor's posture, which is slightly hunched, conveying the character's physical state or dramatic intent within the play Hatsu Akebono Kaomise Soga. The artist employs a minimalist approach to the background, leaving the paper largely unadorned to direct the viewer's attention to the figure. The lines are clean and precise, characteristic of the high-quality carving and printing techniques employed by the publishers of the time. The actor wears a red outer garment, which provides a contrast against the muted tones of the rest of the figure and the paper.
Toyokuni I was instrumental in shifting the focus of actor prints toward more expressive, individualised portraits. This print demonstrates his skill in balancing the requirements of theatrical documentation with the aesthetic demands of the Ukiyo-e genre. The inclusion of the actor's name and the play title within the cartouche provides context for the performance, allowing contemporary audiences to identify the specific production. This print is a representative example of the yakusha-e style, which functioned as both a promotional tool for the theatre and a collectible item for fans of the kabuki stage.
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Tillverkning
Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Komplettera looken
Arashi Ryuzo II as the monk Tojibo - Utagawa Toyokuni I
Ordinarie pris
Från £28.00 GBP
Reapris
Från £28.00 GBP
Ordinarie pris
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Utagawa Toyokuni I
"My pictures are merely something that I draw, and nothing more than that." Toyokuni's self-assessment was modest to the point of dishonesty. He transformed kabuki actor portraiture from stiff formal likenesses into dynamic images of performers in character on stage, and in doing so built the most commercially powerful woodblock print studio in Edo.
He was born in 1769, the son of a puppet maker. He studied under Utagawa Toyoharu, founder of the Utagawa school, and followed convention by taking one syllable of his master's name. His early work synthesised the styles of Utamaro, Eishi and Choki through close study and relentless practice. By the mid-1790s he had found his own voice. Yakusha Butai no Sugatae (Portraits of Actors in Their Various Roles), a series of large polychrome prints produced between 1794 and 1796, showed kabuki actors costumed and posed on stage rather than seated in formal dress. The series was a commercial triumph and set the standard for actor portraiture for the next generation.
He also excelled at bijin-ga, pictures of beautiful women, establishing compositions that ukiyo-e artists followed for decades. His innovations extended to format: he pioneered the use of diptych, triptych and polyptych arrangements that allowed more complex narrative compositions than the single sheet could hold.
As demand surged, Toyokuni's studio expanded until his personal involvement in each print became nominal. The quality of his later work declined, but the school he built survived him. His two most gifted pupils, Kunisada and Kuniyoshi, became major figures in their own right, and the Utagawa school dominated ukiyo-e production through the final decades of the Edo period. He died in 1825.
He was born in 1769, the son of a puppet maker. He studied under Utagawa Toyoharu, founder of the Utagawa school, and followed convention by taking one syllable of his master's name. His early work synthesised the styles of Utamaro, Eishi and Choki through close study and relentless practice. By the mid-1790s he had found his own voice. Yakusha Butai no Sugatae (Portraits of Actors in Their Various Roles), a series of large polychrome prints produced between 1794 and 1796, showed kabuki actors costumed and posed on stage rather than seated in formal dress. The series was a commercial triumph and set the standard for actor portraiture for the next generation.
He also excelled at bijin-ga, pictures of beautiful women, establishing compositions that ukiyo-e artists followed for decades. His innovations extended to format: he pioneered the use of diptych, triptych and polyptych arrangements that allowed more complex narrative compositions than the single sheet could hold.
As demand surged, Toyokuni's studio expanded until his personal involvement in each print became nominal. The quality of his later work declined, but the school he built survived him. His two most gifted pupils, Kunisada and Kuniyoshi, became major figures in their own right, and the Utagawa school dominated ukiyo-e production through the final decades of the Edo period. He died in 1825.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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