Am Ufer (At the Riverbank) - Max Pechstein
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A raw and expressive etching by German artist Max Pechstein, depicting figures at a riverbank through bold, rhythmic lines.
Max Pechstein, a founding member of the Die Brücke group, produced this etching during a period when German Expressionism sought to break from academic constraints. The work depicts a group of figures gathered by a riverbank, rendered with the raw, immediate mark-making characteristic of the artist's graphic output. Pechstein utilised the etching needle to create jagged, angular contours that define both the human forms and the surrounding foliage.
The composition reflects the Expressionist interest in the primitive and the unmediated connection between humanity and nature. The figures are simplified, almost schematic, yet they possess a rhythmic quality that suggests movement and social interaction. By stripping away unnecessary detail, Pechstein focuses on the emotional resonance of the scene. The trees are suggested through swift, rhythmic strokes, while the water is indicated by horizontal lines that provide a sense of calm against the activity of the figures.
Technically, the print demonstrates a mastery of the drypoint medium. The burr of the needle creates soft, velvety blacks that contrast with the stark white of the paper. This interplay of light and shadow gives the scene a sense of depth despite the flattened perspective. Pechstein often returned to the theme of bathers in nature, a subject that allowed him to explore the human form in a state of freedom. This print is a clear example of his ability to convey a sense of place and atmosphere through minimal means. It remains a representative piece of the early twentieth-century German avant-garde, capturing the spirit of a movement that prioritised subjective experience over objective representation.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Am Ufer (At the Riverbank) - Max Pechstein
Artist Biography
Max Pechstein
He was born in Zwickau in 1881 and apprenticed as a decorator from 1896 to 1900 before studying at the Dresden art school. Erich Heckel invited him to join Die Brucke in 1906. Contact with Matisse pushed his palette toward jarring, unmixed colour, but his compositions retained a warmth and legibility that made them easier to sell than the work of his peers.
At the outbreak of the First World War he was interned in Japan and returned to Germany via Shanghai, Manila and New York. He saw action at the Somme and suffered a nervous breakdown. In 1918 he co-founded the Novembergruppe, a left-wing artists' group that demanded artist involvement in postwar social policy.
The Nazis classified his work as degenerate. Over three hundred paintings were seized from German museums. He was banned from exhibiting and dismissed from the Prussian Academy. He produced 421 lithographs, 315 woodcuts and linocuts, and 165 etchings over his career, making him one of the most prolific printmakers of the Expressionist generation. After the war he was rehabilitated, given a professorship in Berlin and elected to the Academy of Arts. He died in Berlin in 1955, at seventy-three.
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