His work is distinguished by a preference for pale, almost translucent skin tones and elongated figures. He avoided the heavy shadows and muscularity favoured by Florentine artists of the Quattrocento. Instead, he used fine lines to define the contours of his subjects, maintaining the lyrical quality found in the works of Ambrogio Lorenzetti. His compositions often feature the Madonna and Child surrounded by saints, such as his notable depiction of Saint Catherine of Siena. These figures possess a weightless quality. The use of gold backgrounds and punchwork decoration connects his late fifteenth-century output to the earlier Gothic traditions of his city.

Modern collectors value the clarity and linear elegance of these works. The lack of cluttered detail allows the central figures to dominate the space. His panels provide a calm atmosphere that suits contemporary interior design. Because he focused on grace rather than dramatic narrative, his art functions well as a decorative element in a room. The subtle colour palette of his paintings offers a sophisticated alternative to more aggressive Renaissance styles.