His technique involves a systematic use of cross-hatching and strong outlines. In pieces like Saint Peter and The Flagellation, he uses deep shadows to create a sense of three-dimensional form. He often focused on single figures or small groups. This focus gave his prints a monumental quality despite their physical scale. His work Woman Watering a Plant shows a different side of his style. Here, he balances classical proportions with domestic subject matter. He was a master of the burin and used the tool to mimic the textures of fabric.

Modern collectors value these prints for their architectural clarity and historical connection to the High Renaissance. The stark black-and-white compositions provide a graphic quality that works well in contemporary interiors. Works like Holy Family with St. Elizabeth and the Infant St. John the Baptist offer a look into the private devotional life of the sixteenth century. These engravings allow art lovers to own a link to the classical revival. They are practical choices for those who appreciate the precision of early printmaking.