Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
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A detailed Renaissance engraving depicting the biblical discovery of Joseph's cup in Benjamin's sack, executed with precise line work and classical influence.
This engraving depicts a dramatic moment from the Old Testament narrative of Joseph and his brothers. Giovanni Antonio da Brescia, an Italian engraver active during the early sixteenth century, captures the tension as the brothers discover the silver cup hidden within Benjamin's sack. The composition is arranged horizontally, with the figures positioned across the foreground in a manner that recalls the frieze-like quality of classical relief sculpture.
The artist employs a clear, linear style, using hatching and cross-hatching to define the forms of the figures and the folds of their garments. The expressions of the brothers range from shock to despair, while the presence of the pack animals adds a sense of movement and narrative urgency to the scene. The background remains largely unadorned, allowing the focus to rest entirely upon the interaction between the figures and the discovery of the cup.
Giovanni Antonio da Brescia was influenced by the work of Andrea Mantegna, which is evident in the firm contours and the sculptural treatment of the human form. This print demonstrates the technical precision characteristic of early Italian engraving, where the artist relies on the clarity of the line to convey the emotional weight of the biblical story. The work provides an example of how Renaissance artists interpreted religious texts through a classical lens, prioritising anatomical structure and narrative coherence. The scene is devoid of excessive ornamentation, reflecting a focus on the psychological drama inherent in the biblical account. This piece is a representative example of the printmaking traditions that circulated throughout Italy during the period, offering a window into the artistic priorities of the early Renaissance.
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Varje tryck produceras på beställning med 12-färgs gicléetryck på FSC-certifierat arkivpapper. Designade i Storbritannien och tryckta vid närmaste produktionsanläggning för att minska avfall och snabba upp leveransen.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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