Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
The Offer of Love (The Ill-Assorted Couple) - Albrecht Dürer
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£37.00 GBP
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£37.00 GBP
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Beschrijving
An early engraving by Albrecht Dürer depicting an elderly man offering a purse to a young woman, exploring themes of age, desire, and social transaction.
This engraving by Albrecht Dürer, produced early in his career, depicts a thematic pairing known as the ill-assorted couple. An elderly man with a weathered face and a thick beard sits beside a young woman in a grassy clearing. The man offers a purse to the woman, suggesting a transaction of affection or material gain. The woman, dressed in the fashion of the late fifteenth century with a distinctive headpiece, gazes at him with an expression that remains ambiguous to the viewer.
Dürer employs his mastery of the burin to create varied textures across the composition. The heavy folds of the woman's gown, the coarse fur trim on the man's tunic, and the rough bark of the trees are rendered with precise, rhythmic lines. In the background, a horse stands tethered to a tree, while a distant castle overlooks a body of water. These elements provide a sense of spatial depth, typical of Dürer's early experiments with perspective and atmospheric effects.
The work functions as a moralising observation on human folly and the nature of desire. By contrasting the youth of the woman with the advanced age of her companion, Dürer invites the viewer to consider the motivations behind their interaction. The inclusion of the purse serves as a clear signifier of the transactional nature of their relationship. This print demonstrates the technical precision that defined Dürer's output, showing his ability to balance narrative detail with formal composition. The scene is devoid of excessive ornamentation, allowing the focus to remain on the psychological tension between the two figures. It is a characteristic example of the artist's early interest in secular subjects and the social dynamics of his time.
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Elke print wordt op bestelling gemaakt met 12-kleuren giclée-druk op FSC-gecertificeerd archiefpapier. Ontworpen in Groot-Brittannië en gedrukt in het dichtstbijzijnde productiecentrum om verspilling tegen te gaan en de levering te versnellen.
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Giclée van museumkwaliteit op FSC-gecertificeerd archiefbestendig mat papier, met opties voor inlijsting en canvas.
- Papierformaten: A4, A3, A2, A1, A0 en B2 (50×70 cm)
- Canvas: XS (20×30 cm) tot Large (60×90 cm)
- Lijsten: zwart, naturel hout, donker hout of wit
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The Offer of Love (The Ill-Assorted Couple) - Albrecht Dürer
Normale prijs
Vanaf £37.00 GBP
Actieprijs
Vanaf £37.00 GBP
Normale prijs
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Albrecht Durer
Dürer brought the Italian Renaissance to northern Europe and took northern European printmaking to Italy. He went both ways. He visited Venice twice (1494-95 and 1505-07) and absorbed the colour, light, and anatomical precision of Bellini and Mantegna. He brought back a confidence in the human figure that German art had not previously possessed. In return, he showed the Venetians what could be done with a woodcut and an engraving burin.
He was born in Nuremberg, the son of a Hungarian goldsmith. He trained as a goldsmith himself before apprenticing with the painter and printmaker Michael Wolgemut. The metalwork training gave him the manual precision that made his prints extraordinary. Melencolia I, Knight, Death and the Devil, and Saint Jerome in His Study, all made between 1513 and 1514, are among the finest engravings ever produced. The density of cross-hatching, the control of tonal gradation, the rendering of fur, feathers, and stone: these are virtuoso performances in a medium that most artists treated as reproductive.
He drew a rhinoceros from a description and a sketch sent by letter. He had never seen one. Dürer's Rhinoceros (1515) is anatomically wrong in several respects (the animal has an extra horn and armour plating) but it remained the standard European image of a rhinoceros for three centuries.
He was one of the first artists to paint self-portraits as a primary subject. The Self-Portrait at Twenty-Eight (1500) shows him facing the viewer directly, with long hair and a fur coat, in a pose traditionally reserved for Christ. It was either an act of supreme confidence or deliberate blasphemy. Probably both.
He was born in Nuremberg, the son of a Hungarian goldsmith. He trained as a goldsmith himself before apprenticing with the painter and printmaker Michael Wolgemut. The metalwork training gave him the manual precision that made his prints extraordinary. Melencolia I, Knight, Death and the Devil, and Saint Jerome in His Study, all made between 1513 and 1514, are among the finest engravings ever produced. The density of cross-hatching, the control of tonal gradation, the rendering of fur, feathers, and stone: these are virtuoso performances in a medium that most artists treated as reproductive.
He drew a rhinoceros from a description and a sketch sent by letter. He had never seen one. Dürer's Rhinoceros (1515) is anatomically wrong in several respects (the animal has an extra horn and armour plating) but it remained the standard European image of a rhinoceros for three centuries.
He was one of the first artists to paint self-portraits as a primary subject. The Self-Portrait at Twenty-Eight (1500) shows him facing the viewer directly, with long hair and a fur coat, in a pose traditionally reserved for Christ. It was either an act of supreme confidence or deliberate blasphemy. Probably both.
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Fine Art Framed
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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