Fine Art Poster
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A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Yoshiwara Picture Book of New Year’s Festivities - Kitagawa Utamaro
Prezzo originale
£28.00 GBP
Prezzo scontato
£28.00 GBP
Prezzo originale
Stampa giclée d'archivio
Le cornici arrivano pronte per essere appese
Pagamento sicuro
Fatto su ordinazione
Descrizione
A detailed woodblock print by Kitagawa Utamaro depicting the social customs and New Year celebrations within the Yoshiwara district of Edo.
This woodblock print originates from the illustrated book Seirō ehon nenjū gyōji, or Yoshiwara Picture Book of New Year’s Festivities, published in 1804. Kitagawa Utamaro, a master of the ukiyo-e genre, documents the seasonal rituals within the Yoshiwara pleasure district of Edo. The composition spans two pages, capturing the social atmosphere of the New Year period.
Figures are arranged in a dense, observational manner, reflecting the busy nature of the district. The artist employs thin, precise lines to delineate the elaborate hairstyles and patterned kimono of the courtesans, alongside the more subdued attire of their attendants and visitors. The scene includes architectural elements such as the kadomatsu, a traditional pine decoration placed at entrances during the New Year.
Utamaro is recognised for his ability to capture the specific social hierarchies and fashions of his time. In this work, the focus remains on the collective activity of the district rather than a single subject. The print functions as a visual record of urban customs, providing insight into the aesthetic and social life of the Edo period. The lack of colour is characteristic of this specific publication, which relies on the clarity of the line work to convey the texture of fabrics and the expressions of the participants. The spatial arrangement is relatively flat, typical of the period's approach to book illustration, where the narrative flow takes precedence over deep perspective. This print serves as an example of the collaboration between the artist, the publisher, and the woodblock carvers who translated Utamaro's drawings into the final printed form.
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Ogni stampa è realizzata su ordinazione mediante stampa giclée a 12 colori su carta d'archivio certificata FSC. Ideata in Gran Bretagna e stampata presso il centro di produzione più vicino a te per ridurre gli sprechi e velocizzare la consegna.
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Yoshiwara Picture Book of New Year’s Festivities - Kitagawa Utamaro
Prezzo originale
Da £28.00 GBP
Prezzo scontato
Da £28.00 GBP
Prezzo originale
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Kitagawa Utamaro
Utamaro was arrested in 1804 for making prints depicting the sixteenth-century military ruler Toyotomi Hideyoshi. He was manacled for fifty days. He died two years later, at roughly fifty-three. The connection between the punishment and the death is debated, but the timing suggests something broke.
Almost nothing is certain about his early life. He was born around 1753, possibly in Edo, possibly in Kyoto, possibly in Kawagoe. He began publishing prints in the 1770s under the guidance of the publisher Tsutaya Juzaburo, who recognised what Utamaro could do with a portrait of a woman.
What he could do was unprecedented. He invented the okubi-e format: large head-and-shoulders portraits of individual women, mostly from the Yoshiwara pleasure district, printed in close-up with minimal background. Before Utamaro, bijin-ga (pictures of beautiful women) showed groups of figures in full length. He isolated the face, the tilt of the head, the expression. The prints are psychologically specific in a way that had not existed in Japanese printmaking.
He also published books of insect studies and volumes of shunga (erotica), and he made portraits of ordinary town women, not just courtesans. Ohisa and Okita, two shopgirls who appeared in his Three Beauties of the Present Day, became famous across Edo because of his prints. He turned real people into celebrities, which may be the first documented instance of an artist functioning as a kind of media platform.
Tsutaya Juzaburo died in 1797. Utamaro was reportedly devastated. Some critics feel his work never reached the same level afterward. He produced over two thousand prints in his career.
Almost nothing is certain about his early life. He was born around 1753, possibly in Edo, possibly in Kyoto, possibly in Kawagoe. He began publishing prints in the 1770s under the guidance of the publisher Tsutaya Juzaburo, who recognised what Utamaro could do with a portrait of a woman.
What he could do was unprecedented. He invented the okubi-e format: large head-and-shoulders portraits of individual women, mostly from the Yoshiwara pleasure district, printed in close-up with minimal background. Before Utamaro, bijin-ga (pictures of beautiful women) showed groups of figures in full length. He isolated the face, the tilt of the head, the expression. The prints are psychologically specific in a way that had not existed in Japanese printmaking.
He also published books of insect studies and volumes of shunga (erotica), and he made portraits of ordinary town women, not just courtesans. Ohisa and Okita, two shopgirls who appeared in his Three Beauties of the Present Day, became famous across Edo because of his prints. He turned real people into celebrities, which may be the first documented instance of an artist functioning as a kind of media platform.
Tsutaya Juzaburo died in 1797. Utamaro was reportedly devastated. Some critics feel his work never reached the same level afterward. He produced over two thousand prints in his career.
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Fine Art Framed
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The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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