Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Stampa giclée d'archivio
Le cornici arrivano pronte per essere appese
Pagamento sicuro
Fatto su ordinazione
A 16th-century Mughal miniature from the Tuti-nama, depicting a merchant reclaiming his parrot from a monk, rendered in opaque watercolour and gold.
This miniature originates from the Tuti-nama, or Tales of a Parrot, a significant manuscript commissioned during the reign of the Mughal Emperor Akbar. The narrative cycle consists of fifty-two stories told by a parrot to its mistress over successive nights. This specific folio illustrates the tenth night, depicting a monk returning the parrot to its rightful owner, a merchant.
The composition follows the conventions of the Mughal school, which synthesised Persian aesthetic traditions with indigenous Indian stylistic elements. The scene is divided into two distinct zones: the upper portion contains elegant Nasta'liq script, while the lower section presents the narrative action. The monk is shown seated within a modest structure, his posture relaxed as he interacts with the merchant. The merchant, dressed in a vibrant red tunic, stands before him, extending his hand to receive the bird.
The artist, Lalu, employs a clear, narrative-driven approach. The figures are rendered with precise outlines, and the colour palette relies on saturated tones of red, blue, and gold to define the architectural and natural elements. The background features a stylised golden hillock, a common motif in the period, which provides a sense of place without attempting realistic depth. The brickwork of the structure and the patterned textile upon which the monk sits demonstrate the attention to detail characteristic of the imperial workshops. This work offers a glimpse into the literary and visual culture of the sixteenth-century Mughal court, where storytelling and artistic production were closely linked. The manuscript itself is a primary example of the early development of the Mughal style, showing the transition from the more rigid Persian models to a more fluid, expressive mode of representation that would define the later imperial period.
Poiché ogni stampa è realizzata su ordinazione, non offriamo resi, rimborsi o cambi in caso di ripensamento. Se il tuo ordine dovesse arrivare difettoso, danneggiato o errato, lo sostituiremo gratuitamente: ti basterà contattarci entro 48 ore dalla consegna. Consulta la nostra pagina sui rimborsi per tutti i dettagli.
Spediamo in tutto il mondo, stampando presso il centro di produzione più vicino al tuo indirizzo di consegna. I tempi e i costi di spedizione variano in base alla destinazione: visualizzerai le opzioni disponibili al momento del pagamento.
Ogni stampa è realizzata su ordinazione mediante stampa giclée a 12 colori su carta d'archivio certificata FSC. Ideata in Gran Bretagna e stampata presso il centro di produzione più vicino a te per ridurre gli sprechi e velocizzare la consegna.
Caratteristiche specifiche
Ogni opera Solis è realizzata su ordinazione con materiali d'archivio di qualità museale, costruiti per durare nel tempo.
Cura e pulizia
Per mantenere la tua opera d'arte al meglio:
Materiali e dimensioni
Stampa giclée di qualità museale su carta opaca d'archivio certificata FSC, con opzioni di cornice e tela.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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