Fine Art Poster
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A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
The Golden Age - André Derain
Prezzo originale
£28.00 GBP
Prezzo scontato
£28.00 GBP
Prezzo originale
Stampa giclée d'archivio
Le cornici arrivano pronte per essere appese
Pagamento sicuro
Fatto su ordinazione
Descrizione
A mythological scene by André Derain depicting a harmonious, primordial world where humans and animals coexist in a forest setting.
André Derain painted The Golden Age during the mid-1940s, a period when his work moved away from the radical experimentation of his earlier Fauvist years. This composition reflects a return to classical themes and a more restrained, archaic aesthetic. The scene depicts a mythological or pastoral paradise where humans and wild animals coexist in a state of harmony. The figures are rendered with a deliberate simplicity, echoing the proportions and poses found in ancient Mediterranean art or early Renaissance frescoes.
The colour palette is dominated by deep, atmospheric greens and earthy tones, which provide a dark, forest-like backdrop for the lighter, ochre-toned figures of the humans and lions. Derain uses these muted colours to create a sense of timelessness, distancing the work from the immediate concerns of the contemporary world. The composition is structured with a rhythmic, almost frieze-like arrangement, where the interaction between the figures and the beasts feels staged and symbolic rather than naturalistic.
This work demonstrates Derain's interest in the history of painting, particularly his engagement with the traditions of the Mediterranean. By choosing a subject that evokes a lost, idyllic past, he explores the relationship between humanity and the natural world. The lions, while predatory in appearance, are integrated into the scene as companions to the human figures, reinforcing the concept of a peaceful, primordial era. The painting is a study in balance and form, showing the artist's technical control and his ability to synthesise diverse historical influences into a singular, cohesive vision. It remains a notable example of his later career, where he sought to reconcile modern sensibilities with the enduring language of classical art.
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Ogni stampa è realizzata su ordinazione mediante stampa giclée a 12 colori su carta d'archivio certificata FSC. Ideata in Gran Bretagna e stampata presso il centro di produzione più vicino a te per ridurre gli sprechi e velocizzare la consegna.
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Stampa giclée di qualità museale su carta opaca d'archivio certificata FSC, con opzioni di cornice e tela.
- Dimensioni carta: A4, A3, A2, A1, A0 e B2 (50×70 cm)
- Tela: da XS (20×30 cm) a Large (60×90 cm)
- Cornici: nero, legno naturale, legno scuro o bianco
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The Golden Age - André Derain
Prezzo originale
Da £28.00 GBP
Prezzo scontato
Da £28.00 GBP
Prezzo originale
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Andre Derain
Derain and Matisse spent the summer of 1905 painting together at Collioure, on the French Mediterranean coast. The canvases they produced, shown at the Salon d'Automne that autumn, prompted the critic Louis Vauxcelles to call them les Fauves, the wild beasts. A movement was born from one insult. Derain was twenty-five.
He was born in Chatou in 1880 and had originally studied to become an engineer. He met Matisse in 1898 while attending painting classes under Eugene Carriere. The Fauvist paintings are explosions of unnatural colour: trees in orange, water in violet, shadows in green. They were among the most radical works produced in Paris at the turn of the century.
By 1908, Derain was already breaking with the style. He turned to Cezanne, then passed through a Cubist phase, and by the 1920s had arrived at a fully Neoclassical manner. The wildest of the Fauves became one of the most conservative painters in France. The conservative turn brought financial success and mainstream praise. During the Second World War, the Nazis approved of his Neoclassical work. After the war, he was unjustly accused of collaboration. His reputation never fully recovered. He died in 1954.
He was born in Chatou in 1880 and had originally studied to become an engineer. He met Matisse in 1898 while attending painting classes under Eugene Carriere. The Fauvist paintings are explosions of unnatural colour: trees in orange, water in violet, shadows in green. They were among the most radical works produced in Paris at the turn of the century.
By 1908, Derain was already breaking with the style. He turned to Cezanne, then passed through a Cubist phase, and by the 1920s had arrived at a fully Neoclassical manner. The wildest of the Fauves became one of the most conservative painters in France. The conservative turn brought financial success and mainstream praise. During the Second World War, the Nazis approved of his Neoclassical work. After the war, he was unjustly accused of collaboration. His reputation never fully recovered. He died in 1954.
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Fine Art Framed
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The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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