Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Stampa giclée d'archivio
Le cornici arrivano pronte per essere appese
Pagamento sicuro
Fatto su ordinazione
A whimsical illustration by Florence Harrison from the 1910 book Fairies I Have Met, featuring delicate line work and a dreamlike, muted colour palette.
This illustration originates from the 1910 publication Fairies I Have Met, written by Mrs. Rodolph Stawell. Florence Harrison, a British artist associated with the Art Nouveau and Arts and Crafts movements, created this work during a period when fairy-tale illustration reached a high level of technical refinement. Her style is defined by a synthesis of decorative line work and a muted, atmospheric colour palette.
The composition depicts a whimsical scene involving a seated figure, likely a gnome or fairy, engaged with a large pile of white material, while a female figure stands behind him. Harrison employs a calligraphic approach to her ink lines, which define the contours of the figures and the soft, cloud-like forms surrounding them. The use of a blue and white chequered cloth provides a geometric contrast to the organic, flowing shapes of the figures and the background.
Harrison was known for her ability to balance narrative clarity with a sense of the ethereal. Her work often features elongated forms and a focus on costume detail, reflecting the aesthetic sensibilities of the early twentieth century. The muted tones of ochre, brown, and soft blue create a dreamlike quality, typical of the period's fascination with folklore and the supernatural. This piece demonstrates her skill in integrating character design with a decorative, flat-plane composition that suits the requirements of book illustration. The attention to the texture of the garments and the expressive gestures of the hands reveal her training and her capacity to imbue small-scale works with a distinct personality. This print offers a view into the imaginative world of Edwardian children's literature, where the boundaries between the mundane and the magical are blurred through careful, deliberate draftsmanship.
Poiché ogni stampa è realizzata su ordinazione, non offriamo resi, rimborsi o cambi in caso di ripensamento. Se il tuo ordine dovesse arrivare difettoso, danneggiato o errato, lo sostituiremo gratuitamente: ti basterà contattarci entro 48 ore dalla consegna. Consulta la nostra pagina sui rimborsi per tutti i dettagli.
Spediamo in tutto il mondo, stampando presso il centro di produzione più vicino al tuo indirizzo di consegna. I tempi e i costi di spedizione variano in base alla destinazione: visualizzerai le opzioni disponibili al momento del pagamento.
Ogni stampa è realizzata su ordinazione mediante stampa giclée a 12 colori su carta d'archivio certificata FSC. Ideata in Gran Bretagna e stampata presso il centro di produzione più vicino a te per ridurre gli sprechi e velocizzare la consegna.
Caratteristiche specifiche
Ogni opera Solis è realizzata su ordinazione con materiali d'archivio di qualità museale, costruiti per durare nel tempo.
Cura e pulizia
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Materiali e dimensioni
Stampa giclée di qualità museale su carta opaca d'archivio certificata FSC, con opzioni di cornice e tela.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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