Fine Art Poster
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A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
The Duchess: Illustration for Chapter Four - Max Beckmann
Prezzo originale
£28.00 GBP
Prezzo scontato
£28.00 GBP
Prezzo originale
Stampa giclée d'archivio
Le cornici arrivano pronte per essere appese
Pagamento sicuro
Fatto su ordinazione
Descrizione
A striking drypoint print by Max Beckmann, featuring a dense, expressive composition of figures from his 1922 illustrations for 'Die Fürstin'.
This drypoint print by Max Beckmann belongs to a series of illustrations created for the literary work 'Die Fürstin' (The Duchess), written by Kasimir Edschmid. Produced in 1922, the work captures the sharp, angular aesthetic characteristic of Beckmann's graphic output during the Weimar period. The composition features a cluster of figures, their faces pressed into a tight, overlapping arrangement that creates a sense of psychological tension and claustrophobia.
Beckmann employs a calligraphic line quality, using the drypoint needle to create burr-heavy, expressive marks that define the facial features and shadows. The figures are rendered with a deliberate lack of spatial depth, pushing the subjects to the foreground and forcing an immediate confrontation with the viewer. The woman at the centre, presumably the titular duchess, possesses a stern, piercing gaze, while the surrounding figures appear as fragmented observers or participants in a private, perhaps unsettling, narrative. The stark contrast between the black ink and the white paper surface heightens the dramatic quality of the scene.
As a practitioner of German Expressionism, Beckmann often used the human figure to explore themes of alienation, social anxiety, and the complexities of human interaction. This print demonstrates his ability to distil complex emotional states into a minimal, graphic format. The lack of background detail ensures that the focus remains entirely on the expressions and the physical proximity of the characters. This piece is an example of the artist's mastery of printmaking, where the physical resistance of the metal plate informs the final, jagged energy of the image. It remains a compelling study of character and composition, reflecting the artist's interest in the darker, more introspective aspects of the human condition during the early twentieth century.
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Ogni stampa è realizzata su ordinazione mediante stampa giclée a 12 colori su carta d'archivio certificata FSC. Ideata in Gran Bretagna e stampata presso il centro di produzione più vicino a te per ridurre gli sprechi e velocizzare la consegna.
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Stampa giclée di qualità museale su carta opaca d'archivio certificata FSC, con opzioni di cornice e tela.
- Dimensioni carta: A4, A3, A2, A1, A0 e B2 (50×70 cm)
- Tela: da XS (20×30 cm) a Large (60×90 cm)
- Cornici: nero, legno naturale, legno scuro o bianco
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The Duchess: Illustration for Chapter Four - Max Beckmann
Prezzo originale
Da £28.00 GBP
Prezzo scontato
Da £28.00 GBP
Prezzo originale
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Max Beckmann
Beckmann was dismissed from his teaching post in Frankfurt the day after Hitler's 1937 speech denouncing "degenerate art". He left Germany that same evening and did not return. The speed of the departure, one speech, one night, one exile, defined the rest of his life.
He was born in Leipzig in 1884 and trained at the Weimar Academy. His early work was relatively conventional; the First World War, where he served as a medical orderly, shattered both his style and his psychology. The paintings that followed, dense, allegorical, packed with symbolic figures in compressed, claustrophobic spaces, resist easy classification. His monumental triptychs, painted in exile in Amsterdam and later St Louis, combine mythology, autobiography and contemporary history.
He remains one of the twentieth century's most ambitious figurative painters, comparable in scale and intention to Picasso but less interested in formal innovation than in moral weight. He died in New York in 1950, at sixty-five.
He was born in Leipzig in 1884 and trained at the Weimar Academy. His early work was relatively conventional; the First World War, where he served as a medical orderly, shattered both his style and his psychology. The paintings that followed, dense, allegorical, packed with symbolic figures in compressed, claustrophobic spaces, resist easy classification. His monumental triptychs, painted in exile in Amsterdam and later St Louis, combine mythology, autobiography and contemporary history.
He remains one of the twentieth century's most ambitious figurative painters, comparable in scale and intention to Picasso but less interested in formal innovation than in moral weight. He died in New York in 1950, at sixty-five.
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Fine Art Framed
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The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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