Fine Art Poster
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A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
The Death of Elizabeth I, Queen of England - Paul Delaroche
Prezzo originale
£28.00 GBP
Prezzo scontato
£28.00 GBP
Prezzo originale
Stampa giclée d'archivio
Le cornici arrivano pronte per essere appese
Pagamento sicuro
Fatto su ordinazione
Descrizione
A dramatic historical painting by Paul Delaroche depicting the final moments of Queen Elizabeth I, rendered with meticulous attention to period detail.
Paul Delaroche, a central figure in the French Academic tradition, produced this work in 1828. It depicts the final moments of the Tudor monarch, Elizabeth I. The composition focuses on the Queen, who lies on the floor, surrounded by her attendants and courtiers. Delaroche was known for his ability to render historical scenes with a high degree of theatricality and attention to period detail, a style often termed 'anecdotal history'.
The scene is set within a dimly lit chamber, where the heavy drapery and ornate furnishings suggest the gravity of the royal demise. The Queen, dressed in elaborate garments, appears frail and exhausted, contrasting with the sombre, standing figures of the men in the background. The use of light directs the viewer's eye towards the central group, where the emotional weight of the event is concentrated. One attendant covers her face in grief, while others look on with expressions of concern or solemnity. The artist employs a controlled palette, using deep reds and muted golds to create a sense of historical authenticity and dramatic tension.
Delaroche’s approach to this subject reflects the nineteenth-century interest in the private lives of public figures. By choosing to depict the Queen in a state of physical decline rather than in a moment of triumph, he invites the viewer to consider the human reality behind the crown. The painting is a characteristic example of his technical precision, particularly in the rendering of textiles and the subtle modulation of light across the figures. This work remains a significant example of the Romantic-era fascination with historical narrative, executed with the discipline of the French Academy.
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Stampa giclée di qualità museale su carta opaca d'archivio certificata FSC, con opzioni di cornice e tela.
- Dimensioni carta: A4, A3, A2, A1, A0 e B2 (50×70 cm)
- Tela: da XS (20×30 cm) a Large (60×90 cm)
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The Death of Elizabeth I, Queen of England - Paul Delaroche
Prezzo originale
Da £28.00 GBP
Prezzo scontato
Da £28.00 GBP
Prezzo originale
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Paul Delaroche
Delaroche set The Execution of Lady Jane Grey indoors for maximum drama, even though the real execution took place outdoors at the Tower of London. The model for Jane is thought to have been his mistress, an actress known as Mademoiselle Anais. The painting was lost during the Second World War and remained missing until 1973, when a Tate curator found the canvas rolled up inside another painting while sorting through damaged carpets.
He was born in 1797 in Paris and specialised in English and French history scenes because they sold well. In his own lifetime, his commercial success often exceeded both Ingres and Delacroix. Upon first seeing the daguerreotype in 1839, he reportedly declared: from today, painting is dead.
He married Louise Vernet, daughter of the painter Horace Vernet, in 1835. She was the absorbing passion of his life. She died in 1845, aged thirty-one. He sketched her on her deathbed; the drawing survives at the Walters Art Museum in Baltimore. He never recovered from the loss. His later work turned exclusively to religious subjects. He died in 1856.
He was born in 1797 in Paris and specialised in English and French history scenes because they sold well. In his own lifetime, his commercial success often exceeded both Ingres and Delacroix. Upon first seeing the daguerreotype in 1839, he reportedly declared: from today, painting is dead.
He married Louise Vernet, daughter of the painter Horace Vernet, in 1835. She was the absorbing passion of his life. She died in 1845, aged thirty-one. He sketched her on her deathbed; the drawing survives at the Walters Art Museum in Baltimore. He never recovered from the loss. His later work turned exclusively to religious subjects. He died in 1856.
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Fine Art Framed
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The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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