Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Stampa giclée d'archivio
Le cornici arrivano pronte per essere appese
Pagamento sicuro
Fatto su ordinazione
A refined self-portrait by the Venetian Renaissance artist Marietta Robusti, capturing the sitter in a classic three-quarter pose with period attire.
Marietta Robusti, also known as La Tintoretta, was the daughter of the Venetian master Jacopo Tintoretto. Trained in her father's workshop, she developed a distinct approach to portraiture that balanced the technical rigour of the Venetian school with a personal, observational quality. This self-portrait captures the artist in a three-quarter view, a common compositional choice for sixteenth-century portraiture that allows for a clear depiction of both the sitter's features and their attire.
The subject wears a dark, high-necked gown adorned with delicate lace at the collar and cuffs. Her hair is styled in a braided crown, reflecting the fashion of the period. She holds a small object in her hand, a detail that adds a sense of quiet activity to the composition. The lighting is focused on her face and the white lace, creating a contrast against the dark, neutral background. This use of chiaroscuro is characteristic of the Venetian tradition, where light is employed to model form and direct the viewer's attention.
Robusti's work is often discussed in the context of women artists in the Renaissance, who frequently navigated the constraints of family-run workshops. Her ability to capture likenesses with such clarity earned her a reputation among contemporary patrons, including international figures like Emperor Maximilian II and King Philip II of Spain. This portrait provides a glimpse into the professional identity of a woman working within the competitive environment of sixteenth-century Venice. The brushwork is precise, particularly in the rendering of the lace and the subtle highlights on the fabric. The overall composition is restrained, focusing on the presence of the sitter rather than elaborate decorative elements. This print offers an opportunity to examine the technical skill and stylistic choices of an artist whose career was cut short by her early death.
Poiché ogni stampa è realizzata su ordinazione, non offriamo resi, rimborsi o cambi in caso di ripensamento. Se il tuo ordine dovesse arrivare difettoso, danneggiato o errato, lo sostituiremo gratuitamente: ti basterà contattarci entro 48 ore dalla consegna. Consulta la nostra pagina sui rimborsi per tutti i dettagli.
Spediamo in tutto il mondo, stampando presso il centro di produzione più vicino al tuo indirizzo di consegna. I tempi e i costi di spedizione variano in base alla destinazione: visualizzerai le opzioni disponibili al momento del pagamento.
Ogni stampa è realizzata su ordinazione mediante stampa giclée a 12 colori su carta d'archivio certificata FSC. Ideata in Gran Bretagna e stampata presso il centro di produzione più vicino a te per ridurre gli sprechi e velocizzare la consegna.
Caratteristiche specifiche
Ogni opera Solis è realizzata su ordinazione con materiali d'archivio di qualità museale, costruiti per durare nel tempo.
Cura e pulizia
Per mantenere la tua opera d'arte al meglio:
Materiali e dimensioni
Stampa giclée di qualità museale su carta opaca d'archivio certificata FSC, con opzioni di cornice e tela.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Materiali di qualità museale
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