Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Stampa giclée d'archivio
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Pagamento sicuro
Fatto su ordinazione
A technical study by Jan Brandes illustrating the geometric principles of perspective drawing through diagrams and descriptive notes.
This document, titled Scenographia of perspectiefleer, originates from the personal collection of Jan Brandes, a Dutch clergyman and artist who spent significant time in the East Indies. The work functions as a pedagogical exercise, illustrating the mathematical and geometric principles required to construct a perspective drawing. Brandes employs a combination of Latin text and schematic diagrams to explain the transition from a two-dimensional ground plan to a three-dimensional representation.
The page is divided into clear sections, beginning with definitions of the 'delineatio plana simplex' (simple ground plan) and moving towards the application of the horizon line and the 'oculus' (the vanishing point). The artist provides a practical example by sketching a simple landscape featuring trees and a distant hill, demonstrating how these elements align with the theoretical horizon line. The annotations are precise, reflecting the rigorous approach to draughtsmanship common among educated individuals of the eighteenth century.
Visually, the work is a study in clarity. The ink lines are thin and deliberate, serving the purpose of instruction rather than aesthetic ornamentation. The wash is applied sparingly to differentiate between the sky and the earth, maintaining the focus on the geometric structure of the composition. This piece offers a glimpse into the intellectual habits of Brandes, who documented his surroundings and his own learning processes with equal care. It is a rare example of a personal study sheet that bridges the gap between scientific theory and artistic practice. The aged paper and handwritten notes provide a tactile quality, grounding the abstract concepts in the physical reality of the artist's workspace. This print is suitable for those interested in the history of science, technical illustration, or the personal archives of eighteenth-century travellers.
Poiché ogni stampa è realizzata su ordinazione, non offriamo resi, rimborsi o cambi in caso di ripensamento. Se il tuo ordine dovesse arrivare difettoso, danneggiato o errato, lo sostituiremo gratuitamente: ti basterà contattarci entro 48 ore dalla consegna. Consulta la nostra pagina sui rimborsi per tutti i dettagli.
Spediamo in tutto il mondo, stampando presso il centro di produzione più vicino al tuo indirizzo di consegna. I tempi e i costi di spedizione variano in base alla destinazione: visualizzerai le opzioni disponibili al momento del pagamento.
Ogni stampa è realizzata su ordinazione mediante stampa giclée a 12 colori su carta d'archivio certificata FSC. Ideata in Gran Bretagna e stampata presso il centro di produzione più vicino a te per ridurre gli sprechi e velocizzare la consegna.
Caratteristiche specifiche
Ogni opera Solis è realizzata su ordinazione con materiali d'archivio di qualità museale, costruiti per durare nel tempo.
Cura e pulizia
Per mantenere la tua opera d'arte al meglio:
Materiali e dimensioni
Stampa giclée di qualità museale su carta opaca d'archivio certificata FSC, con opzioni di cornice e tela.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Materiali di qualità museale
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