Fine Art Poster
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A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Satan - Paul Gavarni
Prezzo originale
£28.00 GBP
Prezzo scontato
£28.00 GBP
Prezzo originale
Stampa giclée d'archivio
Le cornici arrivano pronte per essere appese
Pagamento sicuro
Fatto su ordinazione
Descrizione
A compelling lithograph from Paul Gavarni's 'Satan' series, capturing a moment of psychological tension between two figures in a domestic interior.
This lithograph by Paul Gavarni belongs to his series titled 'Satan', a collection of works that explore the darker, more cynical aspects of Parisian life during the mid-nineteenth century. Gavarni, a master of the medium, uses the lithographic stone to capture subtle gradations of tone, moving away from the rigid lines of engraving to achieve a painterly quality.
The composition depicts two figures in a domestic setting. An elderly woman, draped in dark, heavy clothing with a head covering, leans toward a younger woman. The younger figure stands at a table, holding a small object to her face, seemingly preoccupied or perhaps listening to the older woman's counsel. The contrast between the two figures is marked; the elder appears as a shadowy, almost spectral presence, while the younger woman is illuminated, her posture suggesting a moment of quiet introspection or hesitation.
Gavarni was known for his keen observation of social types. In this series, he employs the figure of Satan not as a literal demon, but as a metaphor for the moral decay, greed, and corruption he perceived in contemporary society. The work functions as a visual narrative, inviting the viewer to speculate on the nature of the interaction between the two characters. The soft, charcoal-like textures and the atmospheric handling of light and shadow are characteristic of Gavarni's mature style. His ability to convey psychological tension through gesture and expression remains a defining feature of his graphic output. This print offers an example of the technical skill and narrative depth that defined French lithography in the mid-1800s.
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Ogni stampa è realizzata su ordinazione mediante stampa giclée a 12 colori su carta d'archivio certificata FSC. Ideata in Gran Bretagna e stampata presso il centro di produzione più vicino a te per ridurre gli sprechi e velocizzare la consegna.
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Materiali e dimensioni
Stampa giclée di qualità museale su carta opaca d'archivio certificata FSC, con opzioni di cornice e tela.
- Dimensioni carta: A4, A3, A2, A1, A0 e B2 (50×70 cm)
- Tela: da XS (20×30 cm) a Large (60×90 cm)
- Cornici: nero, legno naturale, legno scuro o bianco
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Satan - Paul Gavarni
Prezzo originale
Da £28.00 GBP
Prezzo scontato
Da £28.00 GBP
Prezzo originale
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Paul Gavarni
Gavarni was imprisoned for debt in 1835 after his magazine, the Journal of High Society, failed after eighteen issues. He served nearly a year. The experience did not prevent him from becoming the most stylish caricaturist in Paris, but it may explain the darkness that crept into his later work.
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
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Fine Art Framed
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The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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