Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Stampa giclée d'archivio
Le cornici arrivano pronte per essere appese
Pagamento sicuro
Fatto su ordinazione
A 1889 Neo-Impressionist oil painting by Maximilien Luce, depicting a woman arranging her hair through the precise application of colour dots.
Maximilien Luce, a prominent figure within the Neo-Impressionist circle, produced this work in 1889. The painting demonstrates his engagement with the divisionist technique, a method involving the application of small, distinct dots of colour to form an image. By placing contrasting hues side by side, Luce allows the viewer's eye to blend the colours optically, creating a sense of luminosity that traditional mixing on the palette cannot achieve.
The subject is a woman seated in a private interior, captured in the act of arranging her hair. Her posture is relaxed, with arms raised to frame her head. The composition is balanced by the presence of a small statuette on the mantelpiece to the left, which provides a secondary point of interest. The background consists of patterned surfaces, rendered with the same methodical application of paint as the figure, which helps to unify the pictorial space.
Luce was closely associated with Georges Seurat and Paul Signac, yet his work often retained a more robust, tactile quality than that of his peers. In this piece, the light appears to filter through the room, catching the contours of the figure and the folds of the fabric draped across her lap. The palette is composed of soft blues, pinks, and ochres, which work together to create a calm, domestic atmosphere. The brushwork remains visible upon close inspection, revealing the artist's disciplined approach to his craft. This painting offers a clear example of how Neo-Impressionist artists applied scientific theories of colour to intimate, everyday scenes, moving away from the spontaneous brushwork of earlier Impressionists in favour of a more structured and calculated aesthetic.
Poiché ogni stampa è realizzata su ordinazione, non offriamo resi, rimborsi o cambi in caso di ripensamento. Se il tuo ordine dovesse arrivare difettoso, danneggiato o errato, lo sostituiremo gratuitamente: ti basterà contattarci entro 48 ore dalla consegna. Consulta la nostra pagina sui rimborsi per tutti i dettagli.
Spediamo in tutto il mondo, stampando presso il centro di produzione più vicino al tuo indirizzo di consegna. I tempi e i costi di spedizione variano in base alla destinazione: visualizzerai le opzioni disponibili al momento del pagamento.
Ogni stampa è realizzata su ordinazione mediante stampa giclée a 12 colori su carta d'archivio certificata FSC. Ideata in Gran Bretagna e stampata presso il centro di produzione più vicino a te per ridurre gli sprechi e velocizzare la consegna.
Caratteristiche specifiche
Ogni opera Solis è realizzata su ordinazione con materiali d'archivio di qualità museale, costruiti per durare nel tempo.
Cura e pulizia
Per mantenere la tua opera d'arte al meglio:
Materiali e dimensioni
Stampa giclée di qualità museale su carta opaca d'archivio certificata FSC, con opzioni di cornice e tela.
Artist Biography
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Materiali di qualità museale
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