Nablus - David Roberts
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Descrizione
A detailed watercolour by David Roberts depicting the approach to the city of Nablus, captured during his 1839 travels through the Near East.
This work depicts the city of Nablus, situated between the mountains of Ebal and Gerizim. David Roberts, a Scottish painter, travelled extensively through the Near East during the late 1830s. His objective was to document the architecture and geography of the region. This particular scene captures the approach to the city, with a caravan of travellers moving along a dusty path in the foreground. The composition relies on a soft, atmospheric perspective, typical of Roberts's approach to watercolour. The mountains rise on either side, framing the distant city, while the foreground figures provide a sense of scale and human activity.
Roberts produced these sketches during his journey in 1839. They were later lithographed by Louis Haghe for the publication 'The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia'. The original watercolours demonstrate his ability to balance architectural detail with the vast, arid environment. The palette is dominated by ochre, sandy tones, and muted greens, reflecting the dry climate of the Levant. The light is diffused, suggesting the heat of the day, and the brushwork remains precise yet fluid. This piece offers a view of 19th-century Nablus before the significant urban expansion of the modern era. It remains a valuable historical record of the region's appearance during the mid-19th century.
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Nablus - David Roberts
Artist Biography
David Roberts
In 1838 he sailed for Egypt and spent the next two years travelling through the Middle East, filling sketchbooks with drawings of temples, mosques, ruins and desert landscapes that almost no British artist had recorded before. To enter the mosques he had to shave off his sideburns, leave his hog-hair brushes behind (the pig being unclean), and wear traditional Arab clothing while he worked. He was one of the first Europeans allowed to paint inside a mosque.
The sketches became The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia, a series of 247 lithograph plates produced in collaboration with the printer Louis Haghe between 1842 and 1849. He funded the project through advance subscriptions, soliciting them personally. Queen Victoria was subscriber number one. Her complete set is still in the Royal Collection.
The lithographs gave Europeans their first detailed visual record of the ancient Near East. They were bought as art, used as reference by scholars, and shaped the Western imagination of Egypt and Palestine for the rest of the century.
His personal life was less composed. His wife Margaret became an alcoholic and in 1831 he sent her back to Scotland to be cared for by friends. He raised their daughter Christine largely alone. He was elected to the Royal Academy in 1841, a considerable achievement for a man who had started painting houses, and worked steadily until his death in 1864.
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