Fine Art Poster
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A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
In the Dining Room - Berthe Morisot
Prezzo originale
£28.00 GBP
Prezzo scontato
£28.00 GBP
Prezzo originale
Stampa giclée d'archivio
Le cornici arrivano pronte per essere appese
Pagamento sicuro
Fatto su ordinazione
Descrizione
A domestic scene by Berthe Morisot, capturing a young woman in a dining room with fluid, expressive brushwork and a light-filled palette.
Berthe Morisot painted In the Dining Room around 1886. The work depicts a domestic scene, a subject frequently explored by the artist throughout her career. A young woman, dressed in a dark bodice and a white apron, stands in the centre of the composition. She is occupied with a small task, her gaze directed towards the viewer. Beside her, a small white dog sits on the floor, adding a sense of informal life to the interior.
Morisot employs a light, fluid brushwork that characterises her mature style. The paint application is rapid and gestural, creating a sense of movement within the static room. The palette consists of cool blues, greys, and whites, balanced by the warmer tones of the wooden furniture and the figure's hair. Light filters through the window, softening the edges of the objects and the figure, which merges with the surrounding environment. This technique allows the atmosphere of the room to take precedence over precise anatomical detail.
The composition is structured by the vertical lines of the furniture and the window frame, yet the loose handling of paint prevents the scene from feeling rigid. Morisot often focused on the private lives of women, capturing moments of quiet reflection or daily routine. By choosing the dining room as her setting, she elevates a mundane space into a subject for artistic inquiry. The painting avoids sentimentality, opting instead for an honest observation of light and form. It remains a representative example of the Impressionist interest in the fleeting nature of everyday life, rendered with a personal and expressive touch that distinguishes Morisot from her contemporaries.
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Ogni stampa è realizzata su ordinazione mediante stampa giclée a 12 colori su carta d'archivio certificata FSC. Ideata in Gran Bretagna e stampata presso il centro di produzione più vicino a te per ridurre gli sprechi e velocizzare la consegna.
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Stampa giclée di qualità museale su carta opaca d'archivio certificata FSC, con opzioni di cornice e tela.
- Dimensioni carta: A4, A3, A2, A1, A0 e B2 (50×70 cm)
- Tela: da XS (20×30 cm) a Large (60×90 cm)
- Cornici: nero, legno naturale, legno scuro o bianco
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In the Dining Room - Berthe Morisot
Prezzo originale
Da £28.00 GBP
Prezzo scontato
Da £28.00 GBP
Prezzo originale
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Berthe Morisot
Morisot outsold Monet, Renoir, and Sisley at the 1875 Hotel Drouot auction. Her Interior fetched 480 francs, the highest price of the sale. Her death certificate listed her profession as none.
She was born in Bourges in 1841. Her parents built a studio in the family garden for Berthe and her sister Edma, who was equally talented. Edma abandoned painting when she married a naval officer in 1869. Berthe, having lost her collaborator, held on harder. She exhibited ten works at the first Impressionist exhibition in 1874, the only woman showing. She participated in every Impressionist show except 1879, the year her daughter Julie was born.
Edouard Manet painted her portrait repeatedly before she married his brother Eugene in 1874. She had sworn to stay single. Eugene gave up his own painting ambitions so she could pursue hers. Whatever the nature of her relationship with Edouard, it produced some of his finest portraits and left a subject that art historians have been circling for over a century.
She painted the domestic world of women with a directness that the male Impressionists could not access: mothers and daughters, women at their toilette, the garden, the drawing room. The brushwork is rapid and unfinished-looking, more so than Monet's. She died of pneumonia in 1895, aged fifty-four, caught while nursing her daughter through the same illness. She wrote to sixteen-year-old Julie the day before.
She was born in Bourges in 1841. Her parents built a studio in the family garden for Berthe and her sister Edma, who was equally talented. Edma abandoned painting when she married a naval officer in 1869. Berthe, having lost her collaborator, held on harder. She exhibited ten works at the first Impressionist exhibition in 1874, the only woman showing. She participated in every Impressionist show except 1879, the year her daughter Julie was born.
Edouard Manet painted her portrait repeatedly before she married his brother Eugene in 1874. She had sworn to stay single. Eugene gave up his own painting ambitions so she could pursue hers. Whatever the nature of her relationship with Edouard, it produced some of his finest portraits and left a subject that art historians have been circling for over a century.
She painted the domestic world of women with a directness that the male Impressionists could not access: mothers and daughters, women at their toilette, the garden, the drawing room. The brushwork is rapid and unfinished-looking, more so than Monet's. She died of pneumonia in 1895, aged fifty-four, caught while nursing her daughter through the same illness. She wrote to sixteen-year-old Julie the day before.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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