Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Hotoke Gozen Dancing before Taira no Kiyomori - Suzuki Harunobu
Prezzo originale
£28.00 GBP
Prezzo scontato
£28.00 GBP
Prezzo originale
Stampa giclée d'archivio
Le cornici arrivano pronte per essere appese
Pagamento sicuro
Fatto su ordinazione
Descrizione
A classic nishiki-e woodblock print by Suzuki Harunobu, depicting the dancer Hotoke Gozen performing for Taira no Kiyomori.
This woodblock print by Suzuki Harunobu depicts a scene from the Heike Monogatari, a classic of Japanese literature. The composition shows Hotoke Gozen, a shirabyoshi dancer, performing for the powerful Taira no Kiyomori. Harunobu is credited with the development of nishiki-e, or brocade prints, which allowed for the use of multiple colours in a single image. This technical advancement is visible in the subtle application of pigments across the garments and the architectural elements of the room.
The figures are rendered with the slender, delicate proportions characteristic of Harunobu's work. Hotoke Gozen stands on the left, holding a fan, while Kiyomori and his companions observe from the interior space. The spatial arrangement uses the architectural lines of the room to create a sense of depth, separating the performer from the audience. The patterns on the kimonos and the sliding screens demonstrate the precision of the woodblock carving process.
Harunobu's work often focused on the lives of women and historical figures, presented with a sense of quiet grace. This print captures a moment of performance, where the tension between the dancer and the observer is mediated by the formal setting. The colour palette remains restrained, relying on soft ochres, greys, and muted tones to maintain a balance between the figures and their environment. The print serves as an example of the refinement achieved in the mid-Edo period, where the collaboration between artist, carver, and printer reached a high level of sophistication. The work remains a primary example of the aesthetic values prevalent in eighteenth-century Japanese printmaking.
Politica di reso
Poiché ogni stampa è realizzata su ordinazione, non offriamo resi, rimborsi o cambi in caso di ripensamento. Se il tuo ordine dovesse arrivare difettoso, danneggiato o errato, lo sostituiremo gratuitamente: ti basterà contattarci entro 48 ore dalla consegna. Consulta la nostra pagina sui rimborsi per tutti i dettagli.
Spedizione
Spediamo in tutto il mondo, stampando presso il centro di produzione più vicino al tuo indirizzo di consegna. I tempi e i costi di spedizione variano in base alla destinazione: visualizzerai le opzioni disponibili al momento del pagamento.
Produzione
Ogni stampa è realizzata su ordinazione mediante stampa giclée a 12 colori su carta d'archivio certificata FSC. Ideata in Gran Bretagna e stampata presso il centro di produzione più vicino a te per ridurre gli sprechi e velocizzare la consegna.
Cura e materiali
Caratteristiche specifiche
Ogni opera Solis è realizzata su ordinazione con materiali d'archivio di qualità museale, costruiti per durare nel tempo.
- Stampa giclée di qualità museale per colori ricchi e resistenti allo sbiadimento
- Carta fine-art opaca d'archivio, certificata FSC
- Diverse dimensioni e opzioni di cornice disponibili
- Cornici in nero, legno naturale, legno scuro o bianco
- Le stampe con cornice arrivano pronte per essere appese
Cura e pulizia
Per mantenere la tua opera d'arte al meglio:
- Spolvera delicatamente con un panno morbido e asciutto
- Evita l'esposizione prolungata alla luce solare diretta
- Non utilizzare mai detergenti liquidi sulla superficie della stampa o della tela
- Conserva in un ambiente asciutto a temperatura ambiente
- Maneggia le stampe con mani pulite e asciutte
Materiali e dimensioni
Stampa giclée di qualità museale su carta opaca d'archivio certificata FSC, con opzioni di cornice e tela.
- Dimensioni carta: A4, A3, A2, A1, A0 e B2 (50×70 cm)
- Tela: da XS (20×30 cm) a Large (60×90 cm)
- Cornici: nero, legno naturale, legno scuro o bianco
Completa il Look
Hotoke Gozen Dancing before Taira no Kiyomori - Suzuki Harunobu
Prezzo originale
Da £28.00 GBP
Prezzo scontato
Da £28.00 GBP
Prezzo originale
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Suzuki Harunobu
Suzuki Harunobu did not start his career with the full palette of colours for which he is now known. His early work consisted of simple two-colour prints and mizu-e, or water pictures, which used coloured key blocks instead of black to create a pale appearance. His transition occurred in 1765 when he collaborated with private poetry clubs to produce egoyomi, which were pictorial calendars. These commissions allowed him to use the expensive pigments and heavy paper that defined nishiki-e, or brocade pictures.
Harunobu moved away from the stiff portraits of kabuki actors common in his era. He preferred to depict young women in their daily lives, often using an elevated viewpoint to look into private spaces. His series Zashiki hakkei, or Eight Parlour Views, provides a clear example of his method. He took classical Chinese themes and reimagined them as domestic scenes. A temple bell might become a chiming clock. A distant storm is represented by a woman drying herself after a bath.
Modern collectors value these prints for their quiet atmosphere and precise compositions. Harunobu avoided the aggressive energy of later ukiyo-e artists. He chose instead to focus on slender figures and soft colour harmonies. His work captures specific moments of leisure, such as playing cat's cradle or walking by the shore. These scenes offer a calm window into eighteenth-century Japan. They remain popular because they balance historical detail with a clean, graphic sensibility that suits contemporary interiors.
Harunobu moved away from the stiff portraits of kabuki actors common in his era. He preferred to depict young women in their daily lives, often using an elevated viewpoint to look into private spaces. His series Zashiki hakkei, or Eight Parlour Views, provides a clear example of his method. He took classical Chinese themes and reimagined them as domestic scenes. A temple bell might become a chiming clock. A distant storm is represented by a woman drying herself after a bath.
Modern collectors value these prints for their quiet atmosphere and precise compositions. Harunobu avoided the aggressive energy of later ukiyo-e artists. He chose instead to focus on slender figures and soft colour harmonies. His work captures specific moments of leisure, such as playing cat's cradle or walking by the shore. These scenes offer a calm window into eighteenth-century Japan. They remain popular because they balance historical detail with a clean, graphic sensibility that suits contemporary interiors.
Made to order
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Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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