Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Happy New Year 1917 - Max Beckmann
Prezzo originale
£28.00 GBP
Prezzo scontato
£28.00 GBP
Prezzo originale
Stampa giclée d'archivio
Le cornici arrivano pronte per essere appese
Pagamento sicuro
Fatto su ordinazione
Descrizione
A raw, expressive etching by Max Beckmann from 1917, capturing the psychological tension and distorted reality of the First World War era.
Max Beckmann produced this etching during a period of intense personal and historical upheaval. Having served as a medical orderly on the front lines during the First World War, Beckmann experienced a nervous breakdown in 1915. This work, created in 1917, reflects the psychological toll of the conflict through its jagged, nervous line work and distorted figures.
The composition depicts a crowded, claustrophobic gathering. The figures appear trapped within the frame, their faces contorted into expressions that suggest cynicism or exhaustion rather than celebration. The use of drypoint allows for a scratchy, raw quality that mirrors the artist's internal state. The figures are rendered with sharp, angular strokes, creating a sense of unease that permeates the scene. The title, Happy New Year 1917, functions as an ironic commentary on the grim reality of the war years.
Beckmann was a master of the print medium, using the biting of the acid and the burr of the drypoint needle to construct complex, layered spaces. In this work, the lack of traditional perspective forces the viewer to focus on the individual expressions and the physical proximity of the subjects. The figures seem to press against one another, their forms overlapping in a way that suggests a loss of individual identity amidst the collective trauma of the era. This print is a clear example of the artist's ability to translate subjective experience into a visual language that communicates the anxieties of early twentieth-century Europe. It remains a stark record of the period, capturing the tension between the desire for normalcy and the inescapable presence of war.
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Ogni stampa è realizzata su ordinazione mediante stampa giclée a 12 colori su carta d'archivio certificata FSC. Ideata in Gran Bretagna e stampata presso il centro di produzione più vicino a te per ridurre gli sprechi e velocizzare la consegna.
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Stampa giclée di qualità museale su carta opaca d'archivio certificata FSC, con opzioni di cornice e tela.
- Dimensioni carta: A4, A3, A2, A1, A0 e B2 (50×70 cm)
- Tela: da XS (20×30 cm) a Large (60×90 cm)
- Cornici: nero, legno naturale, legno scuro o bianco
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Happy New Year 1917 - Max Beckmann
Prezzo originale
Da £28.00 GBP
Prezzo scontato
Da £28.00 GBP
Prezzo originale
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Max Beckmann
Beckmann was dismissed from his teaching post in Frankfurt the day after Hitler's 1937 speech denouncing "degenerate art". He left Germany that same evening and did not return. The speed of the departure, one speech, one night, one exile, defined the rest of his life.
He was born in Leipzig in 1884 and trained at the Weimar Academy. His early work was relatively conventional; the First World War, where he served as a medical orderly, shattered both his style and his psychology. The paintings that followed, dense, allegorical, packed with symbolic figures in compressed, claustrophobic spaces, resist easy classification. His monumental triptychs, painted in exile in Amsterdam and later St Louis, combine mythology, autobiography and contemporary history.
He remains one of the twentieth century's most ambitious figurative painters, comparable in scale and intention to Picasso but less interested in formal innovation than in moral weight. He died in New York in 1950, at sixty-five.
He was born in Leipzig in 1884 and trained at the Weimar Academy. His early work was relatively conventional; the First World War, where he served as a medical orderly, shattered both his style and his psychology. The paintings that followed, dense, allegorical, packed with symbolic figures in compressed, claustrophobic spaces, resist easy classification. His monumental triptychs, painted in exile in Amsterdam and later St Louis, combine mythology, autobiography and contemporary history.
He remains one of the twentieth century's most ambitious figurative painters, comparable in scale and intention to Picasso but less interested in formal innovation than in moral weight. He died in New York in 1950, at sixty-five.
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Fine Art Framed
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The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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