Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Stampa giclée d'archivio
Le cornici arrivano pronte per essere appese
Pagamento sicuro
Fatto su ordinazione
A detailed nineteenth-century steel engraving featuring the exterior and library interior of Edgeworthstown, the family home of writer Maria Edgeworth.
This steel engraving, published in The Art-Journal, presents two distinct views of Edgeworthstown, the family seat of the Edgeworths in County Longford, Ireland. The upper portion of the print depicts the exterior of the house, a plain, classical structure surrounded by trees, with figures standing on the lawn. The lower portion provides a detailed perspective of the library, a spacious room filled with floor-to-ceiling bookshelves, tables, and seating, reflecting the intellectual environment associated with the writer Maria Edgeworth.
George Virtue was a prominent publisher of illustrated books and journals during the nineteenth century. His publications often featured high-quality engravings that documented architecture, topography, and historical sites across the British Isles. This specific print captures the domestic setting of a notable literary family, providing a visual record of the house and its interior arrangements as they appeared in the mid-nineteenth century. The engraving technique allows for precise rendering of architectural details, from the sash windows of the exterior to the arrangement of books and furniture within the library.
As a piece of historical documentation, the print offers insight into the aesthetic and functional priorities of a nineteenth-century Irish country house. The inclusion of figures in both scenes provides a sense of scale and human presence, grounding the architectural subjects in daily life. The composition is typical of the period, prioritising clarity and descriptive accuracy to inform readers of The Art-Journal about the residences of significant cultural figures. This print is a useful example of the collaborative nature of Victorian publishing, where artists, engravers, and writers worked together to produce visual narratives for a public interested in history and literature.
Poiché ogni stampa è realizzata su ordinazione, non offriamo resi, rimborsi o cambi in caso di ripensamento. Se il tuo ordine dovesse arrivare difettoso, danneggiato o errato, lo sostituiremo gratuitamente: ti basterà contattarci entro 48 ore dalla consegna. Consulta la nostra pagina sui rimborsi per tutti i dettagli.
Spediamo in tutto il mondo, stampando presso il centro di produzione più vicino al tuo indirizzo di consegna. I tempi e i costi di spedizione variano in base alla destinazione: visualizzerai le opzioni disponibili al momento del pagamento.
Ogni stampa è realizzata su ordinazione mediante stampa giclée a 12 colori su carta d'archivio certificata FSC. Ideata in Gran Bretagna e stampata presso il centro di produzione più vicino a te per ridurre gli sprechi e velocizzare la consegna.
Caratteristiche specifiche
Ogni opera Solis è realizzata su ordinazione con materiali d'archivio di qualità museale, costruiti per durare nel tempo.
Cura e pulizia
Per mantenere la tua opera d'arte al meglio:
Materiali e dimensioni
Stampa giclée di qualità museale su carta opaca d'archivio certificata FSC, con opzioni di cornice e tela.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Garanzia di consegna senza danni
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Materiali di qualità museale
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