Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Couple in the Woods - August Macke
Prezzo originale
£37.00 GBP
Prezzo scontato
£37.00 GBP
Prezzo originale
Stampa giclée d'archivio
Le cornici arrivano pronte per essere appese
Pagamento sicuro
Fatto su ordinazione
Descrizione
A 1913 modernist work by August Macke, featuring two figures integrated into an abstracted, geometric forest setting through rhythmic colour planes.
August Macke painted Couple in the Woods in 1913, a period when his work moved towards a synthesis of colour and form. As a member of the Der Blaue Reiter group, Macke explored the relationship between the human figure and its environment through a lens of light and geometric fragmentation. This work depicts two figures, a man and a woman, positioned within a dense, abstracted forest setting. The composition relies on the interplay of light and shadow, where the trees and foliage are rendered as a series of angular, overlapping planes.
The woman, dressed in a white gown, acts as a vertical anchor for the scene, her form contrasting with the darker, more muted tones of the man beside her. Macke uses a palette that balances cool blues and greens with warmer ochres and reds, creating a sense of movement within the static environment. The figures do not interact with the viewer, but rather exist as part of the rhythmic structure of the forest.
This painting reflects the influence of Robert Delaunay and the Orphism movement, which prioritised the musicality of colour over strict representational accuracy. Macke avoids heavy outlines, preferring to define shapes through the juxtaposition of colour blocks. The result is a scene that feels both immediate and dreamlike. The forest is not a literal depiction, but a constructed space where the figures are integrated into the overall pattern. Macke's approach to this subject demonstrates his interest in the harmony between humanity and the natural world, a theme he returned to frequently before his early death during the First World War. This print captures the specific tonal balance and the structured, rhythmic quality of the original oil painting, offering a clear view of Macke's approach to early twentieth-century modernism.
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Ogni stampa è realizzata su ordinazione mediante stampa giclée a 12 colori su carta d'archivio certificata FSC. Ideata in Gran Bretagna e stampata presso il centro di produzione più vicino a te per ridurre gli sprechi e velocizzare la consegna.
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Stampa giclée di qualità museale su carta opaca d'archivio certificata FSC, con opzioni di cornice e tela.
- Dimensioni carta: A4, A3, A2, A1, A0 e B2 (50×70 cm)
- Tela: da XS (20×30 cm) a Large (60×90 cm)
- Cornici: nero, legno naturale, legno scuro o bianco
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Couple in the Woods - August Macke
Prezzo originale
Da £37.00 GBP
Prezzo scontato
Da £37.00 GBP
Prezzo originale
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
August Macke
Macke was twenty-seven when he was killed on the Western Front in September 1914. He had been painting seriously for about six years. In April of that same year he had been in Tunisia with Paul Klee and Louis Moilliet, making watercolours in the souks of Tunis and Kairouan. The gap between the two events, four months, is one of the starkest in modern art.
He grew up in a family of building contractors in Meschede, Westphalia, with no artistic connections. He visited Paris multiple times and absorbed Impressionism, Fauvism and Cubism in rapid succession, but his paintings look like none of those movements. What he took from France was colour: warm, saturated, joyful. His street scenes, market squares and park promenades glow with a light that belongs to someone who finds the world beautiful and wants to record it before it changes.
He met Franz Marc in 1910, and through Marc became involved with Der Blaue Reiter. His temperament was the opposite of Kandinsky's theoretical intensity. Macke painted intuitively, quickly, and with an optimism that made him the most approachable of the German Expressionists.
The Tunisian watercolours are his finest work: small, luminous, almost abstract in their reduction of architecture and figures to planes of colour. Klee wrote afterward that colour had taken possession of him. The same could be said of Macke, who had been working toward that moment for years.
He was drafted immediately when war broke out. His wife Elisabeth received notification of his death six weeks later. Marc, his closest friend, was killed at Verdun in 1916.
He grew up in a family of building contractors in Meschede, Westphalia, with no artistic connections. He visited Paris multiple times and absorbed Impressionism, Fauvism and Cubism in rapid succession, but his paintings look like none of those movements. What he took from France was colour: warm, saturated, joyful. His street scenes, market squares and park promenades glow with a light that belongs to someone who finds the world beautiful and wants to record it before it changes.
He met Franz Marc in 1910, and through Marc became involved with Der Blaue Reiter. His temperament was the opposite of Kandinsky's theoretical intensity. Macke painted intuitively, quickly, and with an optimism that made him the most approachable of the German Expressionists.
The Tunisian watercolours are his finest work: small, luminous, almost abstract in their reduction of architecture and figures to planes of colour. Klee wrote afterward that colour had taken possession of him. The same could be said of Macke, who had been working toward that moment for years.
He was drafted immediately when war broke out. His wife Elisabeth received notification of his death six weeks later. Marc, his closest friend, was killed at Verdun in 1916.
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Fine Art Framed
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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