Baliverneries Parisiennes, Plate 21 - Paul Gavarni

A satirical lithograph by Paul Gavarni, capturing a cynical conversation between two men in a nineteenth-century Parisian interior.

This lithograph belongs to the series Baliverneries Parisiennes, a collection of satirical prints by the French artist Paul Gavarni. Known for his keen observation of Parisian social life, Gavarni utilised the medium of lithography to document the manners, fashions, and absurdities of the mid-nineteenth century. His work often appeared in periodicals such as Le Charivari, where he provided a visual commentary on the bourgeoisie and the urban classes.

The scene depicts two men engaged in a conversation within a domestic interior. The figure on the left, dressed in a frock coat with a prominent waistcoat, leans forward while gesturing, his expression one of worldly cynicism. His companion, seen from behind, wears a top hat and a tailored coat, his posture suggesting a degree of hesitation or dejection. The caption below the image provides the context for their exchange, referencing the social pressures of the time and the complexities of personal reputation. The text reads: T'as peur du Monde? pour une rupture, innocent! le Monde, c'est le tribunal de Commerce de tous les commerces. l'agréé de Calypso n'a jamais tort, mais l'agréé d'Ulysse a toujours raison.

Technically, the print demonstrates Gavarni's mastery of lithographic crayon. He employs varied pressure to create soft shadows and distinct textures, particularly in the clothing of the figures. The background is rendered with lighter, sketch-like strokes, ensuring the focus remains on the interaction between the two men. The composition is balanced, using the fireplace and the framed artwork on the wall to establish a sense of space. This piece offers a glimpse into the social satire that defined the era, capturing the nuances of human interaction through a sharp and observant lens.