Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Stampa giclée d'archivio
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Pagamento sicuro
Fatto su ordinazione
A rare 1841 autobiographical manuscript by Belgian artist Pierre Emmanuel Dielman, detailing his career, training, and exhibition history.
This document is a completed biographical questionnaire, or 'Vraagpunten', submitted by the Belgian artist Pierre Emmanuel Dielman in 1841. It was prepared for Johannes Immerzeel, the author of a comprehensive biographical dictionary of Dutch and Flemish artists. The form provides a primary source account of Dielman's career, education, and professional standing during the mid-nineteenth century.
The manuscript contains Dielman's handwritten responses regarding his training at the Ghent Academy, his travels through France and Italy, and his appointment as director of the drawing school in 's-Hertogenbosch. The text details his artistic focus on history painting and portraiture, while also noting his marriage to Isabella Livina de Laat and the artistic pursuits of his son. The right-hand column includes a dense, narrative summary of his exhibition history, mentioning awards received in 1818 and 1820, as well as his participation in various exhibitions across the Low Countries.
As a historical artefact, this document offers a glimpse into the administrative side of the nineteenth-century art world. It captures the formal process by which artists documented their own professional trajectories for inclusion in national catalogues. The handwriting is clear and legible, reflecting the formal script of the period. The document serves as a record of Dielman's self-perception and the specific milestones he chose to emphasise to his contemporaries. For collectors of art history ephemera, this print provides a direct connection to the life of a working artist in the 1840s, documenting the rigour and structure of the era's professional artistic networks. It is a piece of archival history, preserved in its original state, showing the ink-stained reality of nineteenth-century record keeping.
Poiché ogni stampa è realizzata su ordinazione, non offriamo resi, rimborsi o cambi in caso di ripensamento. Se il tuo ordine dovesse arrivare difettoso, danneggiato o errato, lo sostituiremo gratuitamente: ti basterà contattarci entro 48 ore dalla consegna. Consulta la nostra pagina sui rimborsi per tutti i dettagli.
Spediamo in tutto il mondo, stampando presso il centro di produzione più vicino al tuo indirizzo di consegna. I tempi e i costi di spedizione variano in base alla destinazione: visualizzerai le opzioni disponibili al momento del pagamento.
Ogni stampa è realizzata su ordinazione mediante stampa giclée a 12 colori su carta d'archivio certificata FSC. Ideata in Gran Bretagna e stampata presso il centro di produzione più vicino a te per ridurre gli sprechi e velocizzare la consegna.
Caratteristiche specifiche
Ogni opera Solis è realizzata su ordinazione con materiali d'archivio di qualità museale, costruiti per durare nel tempo.
Cura e pulizia
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Materiali e dimensioni
Stampa giclée di qualità museale su carta opaca d'archivio certificata FSC, con opzioni di cornice e tela.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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