Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Stampa giclée d'archivio
Le cornici arrivano pronte per essere appese
Pagamento sicuro
Fatto su ordinazione
A delicate watercolour illustration by Edmund Dulac, depicting a woman in period dress surrounded by scattered newspapers, originally created for Edgar Allan Poe's poetry.
Edmund Dulac, a central figure in the early twentieth-century British illustration scene, produced this work for the 1912 edition of 'The Bells and Other Poems' by Edgar Allan Poe. The image depicts a woman in eighteenth-century court attire, seated in a corner of a room, surrounded by a chaotic spread of newspapers. Her posture is composed, contrasting with the disarray of the papers scattered across the floor.
Dulac employs a delicate watercolour technique, characteristic of his approach to book illustration. The palette relies on soft blues, purples, and muted creams, which provide a sense of period atmosphere. The composition uses the corner of the room to frame the subject, drawing the eye toward the figure while the papers create a foreground that suggests a narrative of overwhelming information or news. The wall sconce and the heavy drapery behind the chair add to the theatrical quality of the scene, a hallmark of Dulac's work during this period.
His training in France and subsequent move to London allowed him to synthesise various influences, including the decorative qualities of Persian miniatures and the linear precision of Japanese woodblock prints. This particular illustration demonstrates his ability to balance decorative elements with a clear narrative focus. The work remains a fine example of the high production standards of the gift-book era, where illustrations were often tipped into volumes as separate plates. The attention to costume detail and the subtle rendering of light reflect his technical proficiency. This print captures the specific aesthetic of the Edwardian era, where fantasy and historical pastiche were common themes in literary illustration. It offers a glimpse into the collaborative process between author and artist that defined the publishing culture of the time.
Poiché ogni stampa è realizzata su ordinazione, non offriamo resi, rimborsi o cambi in caso di ripensamento. Se il tuo ordine dovesse arrivare difettoso, danneggiato o errato, lo sostituiremo gratuitamente: ti basterà contattarci entro 48 ore dalla consegna. Consulta la nostra pagina sui rimborsi per tutti i dettagli.
Spediamo in tutto il mondo, stampando presso il centro di produzione più vicino al tuo indirizzo di consegna. I tempi e i costi di spedizione variano in base alla destinazione: visualizzerai le opzioni disponibili al momento del pagamento.
Ogni stampa è realizzata su ordinazione mediante stampa giclée a 12 colori su carta d'archivio certificata FSC. Ideata in Gran Bretagna e stampata presso il centro di produzione più vicino a te per ridurre gli sprechi e velocizzare la consegna.
Caratteristiche specifiche
Ogni opera Solis è realizzata su ordinazione con materiali d'archivio di qualità museale, costruiti per durare nel tempo.
Cura e pulizia
Per mantenere la tua opera d'arte al meglio:
Materiali e dimensioni
Stampa giclée di qualità museale su carta opaca d'archivio certificata FSC, con opzioni di cornice e tela.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Materiali di qualità museale
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