Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Stampa giclée d'archivio
Le cornici arrivano pronte per essere appese
Pagamento sicuro
Fatto su ordinazione
A 1968 screenprint by Friedensreich Hundertwasser featuring mask-like faces and metallic foil accents in a bold, non-representational composition.
675 Kingdom of the Toro, created in 1968, displays the characteristic visual language of Friedensreich Hundertwasser. The work features a series of stylised, mask-like faces framed within architectural compartments. These figures, rendered with circular motifs and bold, expressive eyes, occupy a space that rejects traditional perspective in favour of a flat, decorative arrangement. The composition is dominated by a high-chroma palette, utilising saturated magenta, yellow, and green to create a sense of visual energy.
Hundertwasser often integrated metallic elements into his prints, and this piece makes use of foil embossing to add a reflective quality to the surface. This technique creates a contrast between the matte ink areas and the shimmering metallic sections, drawing the eye across the irregular, organic lines that define the forms. The artist frequently explored themes of human connection to the environment and the rejection of the straight line, which he viewed as unnatural. Here, the flowing, undulating lines that surround the central figures suggest a rejection of rigid geometry.
The work is a screenprint, a medium that allowed the artist to experiment with layering and colour saturation. The inclusion of specific numbering and stamps at the base of the print reflects the artist's meticulous approach to his editions. By placing these figures within what appear to be windows or cells, Hundertwasser invites the viewer to consider the individual within a larger, perhaps constructed, system. The lack of depth forces the viewer to engage with the surface of the print, focusing on the interplay of colour and the rhythmic repetition of the facial features. This print remains a clear example of the artist's ability to merge graphic design with fine art, producing a work that is both decorative and conceptually dense.
Poiché ogni stampa è realizzata su ordinazione, non offriamo resi, rimborsi o cambi in caso di ripensamento. Se il tuo ordine dovesse arrivare difettoso, danneggiato o errato, lo sostituiremo gratuitamente: ti basterà contattarci entro 48 ore dalla consegna. Consulta la nostra pagina sui rimborsi per tutti i dettagli.
Spediamo in tutto il mondo, stampando presso il centro di produzione più vicino al tuo indirizzo di consegna. I tempi e i costi di spedizione variano in base alla destinazione: visualizzerai le opzioni disponibili al momento del pagamento.
Ogni stampa è realizzata su ordinazione mediante stampa giclée a 12 colori su carta d'archivio certificata FSC. Ideata in Gran Bretagna e stampata presso il centro di produzione più vicino a te per ridurre gli sprechi e velocizzare la consegna.
Caratteristiche specifiche
Ogni opera Solis è realizzata su ordinazione con materiali d'archivio di qualità museale, costruiti per durare nel tempo.
Cura e pulizia
Per mantenere la tua opera d'arte al meglio:
Materiali e dimensioni
Stampa giclée di qualità museale su carta opaca d'archivio certificata FSC, con opzioni di cornice e tela.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Materiali di qualità museale
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