Marlon Brando - Andy Warhol
Archival giclée
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Description
A striking screenprint by Andy Warhol featuring Marlon Brando in his iconic role from The Wild One, rendered in a bold, graphic style.
This work by Andy Warhol features the actor Marlon Brando, captured in his iconic role as Johnny Strabler from the 1953 film The Wild One. Warhol utilised a publicity still for the source material, a common practice in his artistic process. By isolating the figure from the cinematic context, he transformed a fleeting moment of film history into a static, graphic image. The composition focuses on Brando astride his motorcycle, wearing his signature leather jacket and cap.
Warhol employed the screenprinting technique to flatten the image, removing the subtle tonal gradations of the original photograph. This method creates a high-contrast effect, where the subject is rendered in simplified shapes and stark lines. The choice of a monochromatic or limited colour palette emphasises the graphic quality of the print, stripping away the narrative of the film to focus on the celebrity as a cultural object. The repetition of such imagery across Warhol's body of work reflects his interest in the mass production of fame and the commodification of the human face.
In this specific iteration, the texture of the paper remains visible, adding a tactile quality to the mechanical reproduction. The image functions as a study of mid-century American iconography, where the rebellious persona of the actor is distilled into a recognisable visual shorthand. By removing the background details, Warhol forces the viewer to confront the subject directly, turning a cinematic character into a symbol of post-war youth culture. The print remains a clear example of how Warhol manipulated existing media to comment on the nature of celebrity and the visual language of the twentieth century.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Marlon Brando - Andy Warhol
Artist Biography
Andy Warhol
He moved to New York after graduating from Carnegie Tech in 1949 and spent the 1950s as a commercial illustrator. He was successful at it: shoe drawings for I. Miller, album covers, magazine illustrations. The work was loose, charming, and camp. He won awards. But commercial art was not taken seriously, and Warhol wanted to be taken seriously.
The Campbell's Soup Cans came in 1962. Thirty-two canvases, one for each flavour. Then Marilyn, then Elvis, then the car crashes and electric chairs. The technique was silk-screen printing: photographic images transferred to canvas through a mesh screen and printed in flat, commercial colours. The process removed the artist's hand almost entirely, which was the point. Warhol made art that looked like it had been manufactured, in a culture that manufactured everything.
The Factory, his silver-foiled studio on East 47th Street, became the centre of a scene that included musicians, actors, drag queens, socialites, and addicts, sometimes all at once. He made films. He started Interview magazine. He managed the Velvet Underground. He was shot by Valerie Solanas in 1968 and nearly died; he wore a surgical corset for the rest of his life.
His late work, often dismissed, includes the Oxidation Paintings (made with urine on metallic paint), the Shadow series, and the Last Supper paintings. He died in 1987 after gallbladder surgery, at fifty-eight. His estate was valued at around 600 million dollars.
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