Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Horizontal Rust - Franz Kline
Precio habitual
£28.00 GBP
Precio de oferta
£28.00 GBP
Precio habitual
Giclée de archivo
Los marcos vienen listos para colgar
Pago seguro
Hecho bajo pedido
Descripción
A powerful 1960 Abstract Expressionist work by Franz Kline, featuring bold, gestural black strokes contrasted with earthy rust tones.
Horizontal Rust, painted in 1960, represents the mature period of Franz Kline, an American painter associated with the Abstract Expressionist movement. Kline is recognised for his large-scale, gestural works that often feature bold, black structures against white backgrounds. This piece departs from his strictly monochromatic palette by introducing a distinct, earthy tone that provides a counterpoint to the aggressive, dark brushwork.
The composition is defined by heavy, sweeping strokes that suggest structural forms, reminiscent of industrial architecture or railway girders. Kline often drew inspiration from the urban environment of New York City, translating the energy of steel and construction into pure, non-representational form. The application of paint is direct and physical, with visible brush marks that record the speed and force of the artist's movement across the canvas. The white space is not merely a background but an active participant in the composition, balancing the weight of the black forms.
Unlike the controlled precision of geometric abstraction, Kline's work relies on the tension between spontaneity and deliberate placement. The horizontal orientation of the primary forms creates a sense of stability, yet the overlapping, jagged edges maintain a dynamic quality. The inclusion of the rust-coloured pigment adds a layer of material warmth, grounding the otherwise stark contrast. This work demonstrates the artist's ability to convey weight, scale, and motion through minimal means. It remains a primary example of how Kline utilised the physical properties of paint to explore space and structure, moving away from the figurative subjects of his early career toward a more visceral, immediate mode of expression.
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Fabricación
Cada impresión se realiza bajo pedido mediante impresión giclée de 12 colores en papel de archivo con certificación FSC. Diseñado en Gran Bretaña e impreso en su centro de producción más cercano para reducir residuos y acelerar la entrega.
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- Impresión giclée de calidad de museo para colores intensos y resistentes a la decoloración
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Materiales y tamaños
Impresión giclée de calidad de museo sobre papel mate de archivo con certificación FSC, con opciones de lienzo y enmarcado.
- Tamaños de papel: A4, A3, A2, A1, A0 y B2 (50×70 cm)
- Lienzo: XS (20×30 cm) a grande (60×90 cm)
- Marcos: negro, madera natural, madera oscura o blanco
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Horizontal Rust - Franz Kline
Precio habitual
Desde £28.00 GBP
Precio de oferta
Desde £28.00 GBP
Precio habitual
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Franz Kline
Kline painted black and white. Large canvases, housepainter's brushes, industrial enamel. The strokes are enormous, fast, and structural: they look like bridges, girders, railway trestles, the infrastructure of an industrial city rendered as abstract gesture. He grew up in the coal country of eastern Pennsylvania and the heavy forms of mining and railroad architecture stayed in his work.
He studied at Boston University and the Heatherley School of Fine Art in London, then spent the 1940s painting figurative work in New York. The shift to abstraction came suddenly, according to legend, when de Kooning projected one of Kline's small drawings onto a wall using a Bell-Opticon projector. The enlarged image, freed from its original scale, became something else entirely. Kline began painting large.
The black and white paintings of 1950-61 are his contribution. Mahoning, Chief, and Painting Number 2 are decisive, architectural compositions that look spontaneous but were carefully planned. He made small preparatory studies on telephone book pages and newspaper, working out the balance of black and white before scaling up. The white is not background; it is as active and deliberate as the black.
He reintroduced colour in his last years, which surprised people who had defined him by its absence. He died of heart disease in 1962, at fifty-one. The career lasted roughly twelve years. The paintings are in every major museum of modern art.
He studied at Boston University and the Heatherley School of Fine Art in London, then spent the 1940s painting figurative work in New York. The shift to abstraction came suddenly, according to legend, when de Kooning projected one of Kline's small drawings onto a wall using a Bell-Opticon projector. The enlarged image, freed from its original scale, became something else entirely. Kline began painting large.
The black and white paintings of 1950-61 are his contribution. Mahoning, Chief, and Painting Number 2 are decisive, architectural compositions that look spontaneous but were carefully planned. He made small preparatory studies on telephone book pages and newspaper, working out the balance of black and white before scaling up. The white is not background; it is as active and deliberate as the black.
He reintroduced colour in his last years, which surprised people who had defined him by its absence. He died of heart disease in 1962, at fifty-one. The career lasted roughly twelve years. The paintings are in every major museum of modern art.
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Fine Art Framed
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The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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