Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Flowers - Andy Warhol
Precio habitual
£37.00 GBP
Precio de oferta
£37.00 GBP
Precio habitual
Giclée de archivo
Los marcos vienen listos para colgar
Pago seguro
Hecho bajo pedido
Descripción
A classic 1964 screenprint by Andy Warhol, featuring four abstracted hibiscus flowers in a bold, graphic style.
Andy Warhol produced his iconic Flowers series in 1964, drawing inspiration from a photograph of hibiscus blossoms published in a 1964 issue of Modern Photography magazine. By cropping and abstracting the original image, Warhol shifted the focus from the specific botanical subject to the mechanics of colour and repetition. This work demonstrates his interest in the serial nature of image production, a theme that defined much of his output during the 1960s.
The composition features four distinct floral shapes rendered in a flat, graphic style. The yellow petals contrast against a dark, textured background of grass, which is obscured by deep green and black tones. Warhol utilised the screenprinting process to achieve these sharp edges and saturated colours, removing the presence of the artist's hand in favour of a mechanical aesthetic. The repetition of the four blossoms creates a rhythmic visual experience, typical of his approach to mass-produced imagery.
Warhol's Flowers series was first exhibited at the Leo Castelli Gallery in New York. The series exists in various colour combinations and scales, reflecting the artist's experimentation with the possibilities of commercial printing techniques. By isolating the floral motif, Warhol transformed a common decorative subject into a graphic icon. This print captures the essence of his mid-career style, where the boundary between fine art and commercial design becomes blurred. The work remains a recognisable example of the Pop Art movement, documenting the shift in mid-century visual culture towards bold, reproducible imagery.
Política de devoluciones
Debido a que cada impresión se realiza bajo pedido, no ofrecemos devoluciones, reembolsos ni cambios por cambio de opinión. Si su pedido llega defectuoso, dañado o incorrecto, lo reemplazaremos sin cargo alguno; solo contáctenos dentro de las 48 horas posteriores a la entrega. Consulte nuestra página de reembolsos para obtener todos los detalles.
Envío
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Fabricación
Cada impresión se realiza bajo pedido mediante impresión giclée de 12 colores en papel de archivo con certificación FSC. Diseñado en Gran Bretaña e impreso en su centro de producción más cercano para reducir residuos y acelerar la entrega.
Cuidado y materiales
Características específicas
Cada pieza de Solis se fabrica bajo pedido con materiales de calidad de archivo y de galería, diseñados para durar.
- Impresión giclée de calidad de museo para colores intensos y resistentes a la decoloración
- Papel artístico mate de calidad de archivo, con certificación FSC
- Múltiples tamaños y opciones de enmarcado disponibles
- Marcos en negro, madera natural, madera oscura o blanco
- Las impresiones enmarcadas llegan listas para colgar
Cuidado y limpieza
Para mantener su obra de arte en las mejores condiciones:
- Quite el polvo suavemente con un paño suave y seco
- Evite la luz solar directa prolongada
- Nunca utilice limpiadores líquidos sobre la superficie de la impresión o el lienzo
- Manténgala en un lugar seco y a temperatura ambiente
- Manipule las impresiones con las manos limpias y secas
Materiales y tamaños
Impresión giclée de calidad de museo sobre papel mate de archivo con certificación FSC, con opciones de lienzo y enmarcado.
- Tamaños de papel: A4, A3, A2, A1, A0 y B2 (50×70 cm)
- Lienzo: XS (20×30 cm) a grande (60×90 cm)
- Marcos: negro, madera natural, madera oscura o blanco
Completa el look
Flowers - Andy Warhol
Precio habitual
Desde £37.00 GBP
Precio de oferta
Desde £37.00 GBP
Precio habitual
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Andy Warhol
Warhol grew up in Pittsburgh, the son of Carpatho-Rusyn immigrants from what is now Slovakia. His father was a construction worker. His mother, Julia, made tin flowers and sold them door to door. She also drew. When Andy was ill as a child (he had chorea, a nervous system disorder that kept him bedridden for stretches), she sat with him making paper cutouts and teaching him to draw. She later moved to New York to live with him and addressed envelopes for his early commercial work. Her handwriting appeared on his artwork. She was good at cats.
He moved to New York after graduating from Carnegie Tech in 1949 and spent the 1950s as a commercial illustrator. He was successful at it: shoe drawings for I. Miller, album covers, magazine illustrations. The work was loose, charming, and camp. He won awards. But commercial art was not taken seriously, and Warhol wanted to be taken seriously.
The Campbell's Soup Cans came in 1962. Thirty-two canvases, one for each flavour. Then Marilyn, then Elvis, then the car crashes and electric chairs. The technique was silk-screen printing: photographic images transferred to canvas through a mesh screen and printed in flat, commercial colours. The process removed the artist's hand almost entirely, which was the point. Warhol made art that looked like it had been manufactured, in a culture that manufactured everything.
The Factory, his silver-foiled studio on East 47th Street, became the centre of a scene that included musicians, actors, drag queens, socialites, and addicts, sometimes all at once. He made films. He started Interview magazine. He managed the Velvet Underground. He was shot by Valerie Solanas in 1968 and nearly died; he wore a surgical corset for the rest of his life.
His late work, often dismissed, includes the Oxidation Paintings (made with urine on metallic paint), the Shadow series, and the Last Supper paintings. He died in 1987 after gallbladder surgery, at fifty-eight. His estate was valued at around 600 million dollars.
He moved to New York after graduating from Carnegie Tech in 1949 and spent the 1950s as a commercial illustrator. He was successful at it: shoe drawings for I. Miller, album covers, magazine illustrations. The work was loose, charming, and camp. He won awards. But commercial art was not taken seriously, and Warhol wanted to be taken seriously.
The Campbell's Soup Cans came in 1962. Thirty-two canvases, one for each flavour. Then Marilyn, then Elvis, then the car crashes and electric chairs. The technique was silk-screen printing: photographic images transferred to canvas through a mesh screen and printed in flat, commercial colours. The process removed the artist's hand almost entirely, which was the point. Warhol made art that looked like it had been manufactured, in a culture that manufactured everything.
The Factory, his silver-foiled studio on East 47th Street, became the centre of a scene that included musicians, actors, drag queens, socialites, and addicts, sometimes all at once. He made films. He started Interview magazine. He managed the Velvet Underground. He was shot by Valerie Solanas in 1968 and nearly died; he wore a surgical corset for the rest of his life.
His late work, often dismissed, includes the Oxidation Paintings (made with urine on metallic paint), the Shadow series, and the Last Supper paintings. He died in 1987 after gallbladder surgery, at fifty-eight. His estate was valued at around 600 million dollars.
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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