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Yves Klein
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Moon II - Yves Klein
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Anthropométrie sans titre (ANT 106) - Yves Klein
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Blue Agreement - Yves Klein
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Untitled Fire-Color Painting (FC 1) - Yves Klein
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Fire Painting F36 - Yves Klein
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Untitled (Equestrian Figure and Birds) - Yves Klein
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Monogold - Yves Klein
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Untitled Pink Monochrome - Yves Klein
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Untitled Blue Monochrome (IKB) - Yves Klein
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Black Monochrome - Yves Klein
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Le Rose du bleu (RE 22) - Yves Klein
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Untitled Blue Monochrome - Yves Klein
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Monochrome red (theater) - Yves Klein
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Fire Painting F31 - Yves Klein
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Untitled Fire Painting (FC 1) - Yves Klein
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Canibalismo del gran azul, homenaje a Tennessee Williams - Yves Klein
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Monocromo blanco sin título - Yves Klein
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Monocromo azul, oro, rosa, plata, negro - Yves Klein
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Viento de viaje - Yves Klein
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Sin título (Paisaje urbano, acuarela sobre papel) - Yves Klein
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Antropometrías de la Época Azul - Yves Klein
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Ensamblaje de rodillos de pintura usados - Yves Klein
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El silencio es oro - Yves Klein
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Exvoto dedicado a santa Rita de Casia - Yves Klein
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Artist Biography
Yves Klein
Klein patented a colour. International Klein Blue, or IKB, is an ultramarine pigment suspended in a synthetic resin that keeps the colour saturated and matte. He registered it in 1960. The blue is so intense it appears to absorb light. He covered canvases, sponges, plaster casts, and globe sculptures in it. He covered naked women in it and pressed them against canvas (he called them 'Anthropometries' and performed the process in front of an audience while a chamber orchestra played his Monotone-Silence Symphony: twenty minutes of a single sustained chord followed by twenty minutes of silence).
He was born in Nice to artist parents and grew up between France, England, and Spain. He studied judo seriously, earning a fourth-degree black belt in Tokyo, and considered martial arts and art as related disciplines: both requiring control, precision, and the projection of force.
He exhibited an empty gallery in 1958 and called it Le Vide (The Void). Over three thousand people attended the opening. The gallery walls were painted white. There was nothing else. He served blue cocktails at the door. He sold invisible paintings (Zones of Immaterial Pictorial Sensibility) for gold, then threw half the gold into the Seine and burned the receipt.
He died of a heart attack in 1962, at thirty-four. His career lasted roughly eight years. In that time he made the monochromes, the Anthropometries, the fire paintings, the sponge sculptures, the void exhibitions, and enough theoretical writing to fill several volumes. He remains one of the most influential artists of the post-war period, which he would have considered insufficient recognition.
He was born in Nice to artist parents and grew up between France, England, and Spain. He studied judo seriously, earning a fourth-degree black belt in Tokyo, and considered martial arts and art as related disciplines: both requiring control, precision, and the projection of force.
He exhibited an empty gallery in 1958 and called it Le Vide (The Void). Over three thousand people attended the opening. The gallery walls were painted white. There was nothing else. He served blue cocktails at the door. He sold invisible paintings (Zones of Immaterial Pictorial Sensibility) for gold, then threw half the gold into the Seine and burned the receipt.
He died of a heart attack in 1962, at thirty-four. His career lasted roughly eight years. In that time he made the monochromes, the Anthropometries, the fire paintings, the sponge sculptures, the void exhibitions, and enough theoretical writing to fill several volumes. He remains one of the most influential artists of the post-war period, which he would have considered insufficient recognition.
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