Colección
Henri Edmond Cross
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Sketchbook Pages (Studies of Figures and Coastal View) - Henri-Edmond Cross
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The Iles d'Or (The Iles d'Hyeres, Var) - Henri-Edmond Cross
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Ponte San Trovaso - Henri-Edmond Cross
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La Donana, Venice - Henri-Edmond Cross
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On the River - Henri-Edmond Cross
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The Promenade (Landscape with Cypresses) - Henri-Edmond Cross
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The Clearing - Henri-Edmond Cross
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Paisaje, Saint-Tropez - Henri-Edmond Cross
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Los cipreses en Cagnes - Henri-Edmond Cross
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Cipreses - Henri-Edmond Cross
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Tres cisnes - Henri-Edmond Cross
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Paisaje marino - Henri-Edmond Cross
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El cuatro de julio junto al mar - Henri-Edmond Cross
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Mujer cosechando verduras - Henri-Edmond Cross
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Barcos - Henri-Edmond Cross
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Barcazas - Henri-Edmond Cross
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Excursión - Henri-Edmond Cross
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En los Jardines de Luxemburgo - Henri-Edmond Cross
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Antibes, mañana - Henri-Edmond Cross
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Playa en Cabasson - Henri-Edmond Cross
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El Sena junto al Trocadero - Henri-Edmond Cross
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El puerto de Marsella - Henri-Edmond Cross
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Mujer en el parque - Henri-Edmond Cross
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Paisaje con puesta de sol - Henri-Edmond Cross
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Artist Biography
Henri Edmond Cross
Cross changed his name twice. He was born Henri-Edmond-Joseph Delacroix in 1856 in Douai, and in 1881 Anglicised it to Cross to avoid confusion with Eugene Delacroix. When another French artist named Henri Cros caused further confusion, he added his middle name and settled on Henri-Edmond Cross. The name was the most decisive thing about his early career.
He trained conventionally, painting in the dark realist manner of Bastien-Lepage and Manet. The conversion to Neo-Impressionism came slowly: he did not adopt the pointillist technique until 1891, years after Seurat and Signac had established the method. Once he committed, he moved south. Diagnosed with rheumatism, he left Paris and settled in Saint-Clair on the Mediterranean coast, where the climate was gentler and the light was entirely different.
The move changed his painting. Working alongside Signac, who had also moved south, Cross developed a second phase of Neo-Impressionism: broader, looser brushstrokes than the granular dots of Parisian pointillism, in colours heated by Mediterranean light. The palette shifted from grey and blue to orange, violet and turquoise. The brushstrokes grew from points to mosaic-like blocks of colour.
The late paintings influenced Matisse directly. When Matisse visited Saint-Tropez in 1904, he saw Cross's work and recognised something he could use: the liberation of colour from description. Fauvism, which Matisse would lead the following year, grew partly from what Cross and Signac were doing on the Mediterranean coast.
Cross died in 1910, aged fifty-three. He spent the last nineteen years of his life painting the same coastline in colours that got more intense with each passing year.
He trained conventionally, painting in the dark realist manner of Bastien-Lepage and Manet. The conversion to Neo-Impressionism came slowly: he did not adopt the pointillist technique until 1891, years after Seurat and Signac had established the method. Once he committed, he moved south. Diagnosed with rheumatism, he left Paris and settled in Saint-Clair on the Mediterranean coast, where the climate was gentler and the light was entirely different.
The move changed his painting. Working alongside Signac, who had also moved south, Cross developed a second phase of Neo-Impressionism: broader, looser brushstrokes than the granular dots of Parisian pointillism, in colours heated by Mediterranean light. The palette shifted from grey and blue to orange, violet and turquoise. The brushstrokes grew from points to mosaic-like blocks of colour.
The late paintings influenced Matisse directly. When Matisse visited Saint-Tropez in 1904, he saw Cross's work and recognised something he could use: the liberation of colour from description. Fauvism, which Matisse would lead the following year, grew partly from what Cross and Signac were doing on the Mediterranean coast.
Cross died in 1910, aged fifty-three. He spent the last nineteen years of his life painting the same coastline in colours that got more intense with each passing year.
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