Untitled Part VI - Cy Twombly
Archival Pigmentdruck
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Beschreibung
A gestural abstract work by Cy Twombly, featuring fluid green and white brushwork on a distinctive quatrefoil-shaped wooden panel.
Untitled Part VI belongs to a series of works produced by Cy Twombly in 2006. The composition is defined by its distinctive quatrefoil-shaped wooden support, a form that evokes historical architectural elements or decorative panels. Within this frame, Twombly applies layers of green and white pigment with a gestural, fluid motion. The paint appears to have been manipulated while wet, creating streaks and drips that suggest the movement of water or the atmospheric quality of a natural environment.
Twombly, known for his departure from traditional representational painting, often explored the intersection of drawing and painting. In this series, the application of paint is less about the creation of a specific image and more about the physical act of mark-making. The varying density of the green tones, ranging from deep forest hues to pale, translucent washes, creates a sense of depth despite the flatness of the surface. The drips running vertically down the panel introduce an element of chance, a common feature in Twombly's later works where he allowed the medium to dictate the final outcome of the composition.
This piece demonstrates the artist's interest in the relationship between the physical object and the painted surface. By choosing a non-rectangular format, Twombly forces the viewer to consider the work as an object in space rather than a window into a scene. The interaction between the shaped wood and the sweeping, rhythmic brushwork results in a work that balances control with spontaneity. It is an example of his late-career focus on colour and texture, moving away from the scribbled, calligraphic lines of his earlier periods toward a more painterly, atmospheric approach.
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Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Untitled Part VI - Cy Twombly
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