Ulwar, India - Marianne North
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Beschreibung
A detailed oil painting by Marianne North capturing the architectural features and rocky terrain of Alwar, India, during the late nineteenth century.
Marianne North was a prolific Victorian traveller and painter who documented the flora and architecture of various regions across the globe. This work depicts the city of Alwar (historically spelled Ulwar) in Rajasthan, India. North visited the region during her extensive travels in the late 1870s, a period when she produced a vast collection of oil paintings that now reside in the Marianne North Gallery at the Royal Botanic Gardens, Kew.
The composition captures the architectural character of the city, focusing on the ghats and the ornate structures situated at the water's edge. The steep, rocky hills provide a dramatic backdrop to the domes and balconies of the buildings. North employed a precise, observational approach to her subject matter, prioritising the accurate representation of the built environment and the surrounding geography. Her technique involves a controlled application of paint, allowing for the clear definition of architectural details, such as the arches and the tiered levels of the palace structure.
The scene includes elements of daily life, with figures positioned near the steps and birds in flight, which adds a sense of scale and activity to the quiet water. The palette is dominated by soft, natural tones, reflecting the light conditions of the region. North's work is notable for its documentary quality, as she sought to record the appearance of remote locations before the onset of rapid modernisation. This painting serves as a visual record of the site as it appeared in the late nineteenth century, demonstrating her ability to balance technical precision with the atmospheric conditions of the Indian climate.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Ulwar, India - Marianne North
Artist Biography
Marianne North
She was born in 1830 into a wealthy Norfolk family. Her father was an MP. She trained as a singer, but her voice failed and she turned to painting. She was devoted to her father and travelled with him until his death in 1869, which freed her to go further.
She painted plants in oils, not watercolours, and she painted them in situ within their habitats, including animals, people, and temples. In Borneo she painted a pitcher plant unknown to science, which was named Nepenthes northiana in her honour. Charles Darwin personally suggested she visit Australia. She completed 848 paintings in thirteen years, donated 832 to Kew Gardens, and paid for the gallery to house them herself. The Marianne North Gallery at Kew remains the only permanent solo exhibition in a major UK institution. She died in 1890.
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