Trees Laden with Parasites and Epiphytes in a Brazilian Garden - Marianne North
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Beschreibung
A detailed botanical study by Marianne North, capturing the lush, layered vegetation and wildlife of a Brazilian garden in the 1870s.
Marianne North was a prolific Victorian traveller and painter who documented global flora with scientific precision. During her extensive travels in Brazil between 1872 and 1873, she produced a large body of work capturing the unique vegetation of the region. This painting depicts the dense, layered growth typical of a tropical environment, focusing on the interaction between host trees and the various epiphytes that inhabit them.
North utilised oil paints on board, a medium that allowed her to capture the specific textures of leaves and the delicate structure of flowers while working in challenging, humid conditions. The composition is crowded, reflecting the competitive nature of rainforest growth. The foliage is rendered with clear, defined edges, allowing the viewer to distinguish between the ribbed, deep green leaves and the clusters of small, bright red flowers. A large, pale butterfly rests in the foreground, providing a point of contrast against the darker, saturated tones of the vegetation.
Unlike many of her contemporaries who focused on isolated specimens, North often painted plants in their natural context. Her work provides a record of botanical diversity as it appeared in the late nineteenth century. She donated her collection to the Royal Botanic Gardens, Kew, where a dedicated gallery was constructed to house her paintings. This print captures the specific observational quality of her style, where the focus remains on the accurate representation of form and colour. The work is an example of the intersection between scientific documentation and artistic practice during the Victorian era, reflecting the period's fascination with natural history and exploration.
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Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Trees Laden with Parasites and Epiphytes in a Brazilian Garden - Marianne North
Artist Biography
Marianne North
She was born in 1830 into a wealthy Norfolk family. Her father was an MP. She trained as a singer, but her voice failed and she turned to painting. She was devoted to her father and travelled with him until his death in 1869, which freed her to go further.
She painted plants in oils, not watercolours, and she painted them in situ within their habitats, including animals, people, and temples. In Borneo she painted a pitcher plant unknown to science, which was named Nepenthes northiana in her honour. Charles Darwin personally suggested she visit Australia. She completed 848 paintings in thirteen years, donated 832 to Kew Gardens, and paid for the gallery to house them herself. The Marianne North Gallery at Kew remains the only permanent solo exhibition in a major UK institution. She died in 1890.
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