The Wild Tamarind of Jamaica with Scarlet Pod and Barbet - Marianne North
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Beschreibung
A detailed botanical study by Marianne North, capturing the vivid scarlet pods of the Jamaican wild tamarind alongside a small bird.
Marianne North was a Victorian traveller and painter who documented flora across the globe. Her work is distinct for its scientific accuracy and direct observation, often produced in situ during her extensive journeys. This painting depicts the wild tamarind, a plant she encountered during her time in Jamaica in the early 1870s. The composition focuses on the contrast between the fine, feathery green foliage and the bold, fleshy scarlet pods that split to reveal dark seeds.
North worked primarily in oil, a choice that allowed her to capture the saturated colours of tropical specimens with precision. Unlike many of her contemporaries who focused on studio-based arrangements, North painted her subjects in their natural environments. This approach provides a record of botanical life as it appeared in the nineteenth century. The inclusion of the barbet, a small bird, adds a sense of scale and ecological context to the study. Her work remains housed in the Marianne North Gallery at the Royal Botanic Gardens, Kew, which she funded and designed to display her collection of over eight hundred paintings.
The painting demonstrates her ability to balance scientific detail with a clear, observational aesthetic. The foliage is rendered with repetitive, rhythmic brushwork, while the pods are given a more sculptural quality through the use of light and shadow. This piece is representative of her broader project to catalogue the world's plant life before the rapid changes of the industrial era. By focusing on the specific textures of the pods and the delicate structure of the leaves, North created a visual archive that remains relevant for both botanical study and historical interest.
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Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Wild Tamarind of Jamaica with Scarlet Pod and Barbet - Marianne North
Artist Biography
Marianne North
She was born in 1830 into a wealthy Norfolk family. Her father was an MP. She trained as a singer, but her voice failed and she turned to painting. She was devoted to her father and travelled with him until his death in 1869, which freed her to go further.
She painted plants in oils, not watercolours, and she painted them in situ within their habitats, including animals, people, and temples. In Borneo she painted a pitcher plant unknown to science, which was named Nepenthes northiana in her honour. Charles Darwin personally suggested she visit Australia. She completed 848 paintings in thirteen years, donated 832 to Kew Gardens, and paid for the gallery to house them herself. The Marianne North Gallery at Kew remains the only permanent solo exhibition in a major UK institution. She died in 1890.
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