A striking woodcut illustration of a goat from William Nicholson's 1900 collection, The Square Book of Animals, featuring bold silhouettes and minimal detail.

This print originates from The Square Book of Animals, a collection published in 1900 that features the distinctive woodcut style of William Nicholson. Nicholson, a British painter and printmaker, gained recognition for his bold use of flat colour and stark silhouettes. His approach to the woodcut medium relies on the economy of line and the dramatic contrast between light and shadow. By stripping away unnecessary detail, he focuses the viewer on the essential form and character of the subject.

The image depicts a goat in a seated position, rendered with a heavy, graphic quality that is characteristic of Nicholson's work during this period. The background is composed of simple vertical marks, suggesting a fence or enclosure, which provides a sense of space without resorting to traditional perspective. The limited palette of black ink against a warm, ochre-toned paper creates a visual weight that is both modern and grounded in the tradition of early twentieth-century graphic design.

Nicholson's work often displays a dry wit and a keen observation of his subjects. In this instance, the goat is presented with a stoic, almost humorous presence. The composition is contained within a thick black border, a common feature in his illustrative projects, which serves to frame the subject firmly within the square format. This print is an example of the artist's ability to create a strong visual impact through minimal means. It reflects the aesthetic shift towards simplified, bold imagery that defined much of the graphic art produced in Britain at the turn of the century. The work remains a clear example of Nicholson's technical precision and his contribution to the development of the modern woodcut.