Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
The Shepherd's Dream - Henry Fuseli
Regulärer Preis
£28.00 GBP
Angebotspreis
£28.00 GBP
Regulärer Preis
Archival Pigmentdruck
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Beschreibung
A dramatic illustration by Henry Fuseli, depicting a scene from John Milton's Paradise Lost where spirits hover over a sleeping shepherd.
Henry Fuseli, a figure of the late eighteenth-century Romantic movement, often turned to the works of John Milton for his subject matter. This piece, The Shepherd's Dream, draws inspiration from Book I of Paradise Lost. It depicts the moment the fallen angels, reduced to the size of pygmies, gather in the darkness while a shepherd sleeps nearby, unaware of the supernatural activity surrounding him. Fuseli employs a dramatic, theatrical approach to composition, typical of his interest in the sublime and the uncanny.
The visual narrative is split between the grounded, sleeping figure of the shepherd and the ethereal, swirling forms of the spirits above. Fuseli uses light and shadow to create a sense of unease. The figures of the fairies and spirits are rendered with elongated limbs and fluid, billowing drapery, which gives them a weightless, dreamlike quality. The muted colour palette, dominated by sepia tones and soft washes, allows the focus to remain on the tension between the mundane world of the shepherd and the chaotic energy of the spectral realm.
Fuseli was known for his interest in the psychological aspects of art, and this work is no exception. By placing the shepherd in a state of deep slumber, he invites the viewer to consider the boundary between reality and the subconscious. The composition is dense, with various figures interacting in a way that suggests a larger, unseen narrative. The use of ink and watercolour provides a delicate texture to the work, contrasting with the heavy, dark atmosphere of the scene. This print captures the artist's ability to translate complex literary themes into visual form, maintaining a balance between classical training and a distinctly personal, imaginative vision.
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Fertigung
Jeder Druck wird auf Bestellung im 12-Farben-Giclée-Druckverfahren auf FSC-zertifiziertem Archivpapier hergestellt. Entworfen in Großbritannien und gedruckt in Ihrem nächstgelegenen Produktionszentrum, um Abfall zu reduzieren und die Lieferung zu beschleunigen.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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The Shepherd's Dream - Henry Fuseli
Regulärer Preis
Ab £28.00 GBP
Angebotspreis
Ab £28.00 GBP
Regulärer Preis
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Henry Fuseli
Fuseli reportedly ate raw pork chops before bed to induce nightmares for painting inspiration. The story may be apocryphal, but The Nightmare (1781), which shows a woman draped unconscious over a bed with an incubus squatting on her chest and a horse's head emerging from the darkness, suggests the method, if it existed, worked.
He was born Johann Heinrich Fussli in Zurich in 1741, the second of eighteen children. He was ordained as a minister in 1761 but forced to leave Switzerland after helping expose a corrupt magistrate. He spent eight years in Rome, changed his name from Fussli to the Italianate Fuseli, and arrived in London with a taste for the violent, the erotic, and the supernatural.
William Blake, not easily impressed, said of him: the only man that e'er I knew who did not make me almost spew. This was a compliment. Blake meant Fuseli was the only person who did not disgust him. Their friendship lasted decades. Fuseli married his model Sophia Rawlins in 1788. He became Keeper of the Royal Academy and grew increasingly conservative in his politics despite having started as a radical. He died in 1825, aged eighty-four, and was buried in St Paul's Cathedral.
He was born Johann Heinrich Fussli in Zurich in 1741, the second of eighteen children. He was ordained as a minister in 1761 but forced to leave Switzerland after helping expose a corrupt magistrate. He spent eight years in Rome, changed his name from Fussli to the Italianate Fuseli, and arrived in London with a taste for the violent, the erotic, and the supernatural.
William Blake, not easily impressed, said of him: the only man that e'er I knew who did not make me almost spew. This was a compliment. Blake meant Fuseli was the only person who did not disgust him. Their friendship lasted decades. Fuseli married his model Sophia Rawlins in 1788. He became Keeper of the Royal Academy and grew increasingly conservative in his politics despite having started as a radical. He died in 1825, aged eighty-four, and was buried in St Paul's Cathedral.
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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