A classic seventeenth-century etching by Nicolaes Berchem, featuring a shepherdess and her flock from his Animalia series.

This etching by Nicolaes Berchem is the title plate from his series titled Animalia ad vivum delineata, et aqua forti aeri impressa. Berchem was a prolific Dutch Golden Age painter and printmaker, known for his Italianate pastoral scenes. This specific work functions as both a decorative composition and a formal introduction to his study of animals, which were a recurring subject throughout his career.

The composition features a seated shepherdess, positioned against a tree, gesturing towards a sheep standing in the foreground. A second sheep rests quietly behind the primary figure. The artist employs fine, controlled lines to define the texture of the shepherdess's garments and the wool of the animals. The background is rendered with lighter, more sparse hatching, which creates a sense of atmospheric depth without distracting from the figures. The inclusion of the Latin title text, integrated directly into the composition, is a characteristic feature of seventeenth-century print series, providing a clear indication of the artist's intent to document animal forms with precision.

Berchem's work reflects the period's interest in the natural world, combined with the idealised, sun-drenched aesthetic of the Italian countryside that he and his contemporaries often depicted. The print demonstrates his technical proficiency with the etching needle, showing a balance between the human figure and the animal subjects. The work is a fine example of the Dutch tradition of printmaking, where the artist's skill in capturing light and form is applied to everyday rural life. This print is suitable for those interested in the history of printmaking or the pastoral themes that defined much of the seventeenth-century Dutch art market.